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After the Avant-Garde

Contemporary German and Austrian Experimental Film
BuchGebunden
371 Seiten
Englisch
Boydell & Brewererschienen am01.10.2008
Filmmaking in Germany and Austria has changed dramatically in the last decades with digitalization and the use of video and the Internet. Yet despite predictions of a negative effect on experimental film, the German and Austrian filmscape is filled with dynamic new experiments, as new technological possibilities push a break with the past, encouraging artists to find new forms. This volume of theoretically engaged essays explores this new landscape, introducing the work of established and emerging filmmakers, offering assessments of the intent and effect of their productions, and describing overall trends. It also explores the relationship of today's artists to the historical avant-garde, revealing a vibrant form of artistic engagement that has a history but has certainly not ended. The essays address such questions as the effects of transformations of cinematic space; the political effects of the breakdown of barriers between experimental film and advertising, and of the rise of music videos and reality TV; the effects of the collapse of the Soviet bloc, the rise of capitalism, and the European movement on experimental film work; and whether these experiments are aligned with mass political movements -- for instance that of anti-globalization -- or whether they strive for autonomy from quotidian politics. Randall Halle is Klaus W. Jonas Professor of German and Film Studies at the University of Pittsburgh. Reinhild Steingroever is Associate Professor of German in the Department of Humanities at the Eastman School of Music.mehr

Produkt

KlappentextFilmmaking in Germany and Austria has changed dramatically in the last decades with digitalization and the use of video and the Internet. Yet despite predictions of a negative effect on experimental film, the German and Austrian filmscape is filled with dynamic new experiments, as new technological possibilities push a break with the past, encouraging artists to find new forms. This volume of theoretically engaged essays explores this new landscape, introducing the work of established and emerging filmmakers, offering assessments of the intent and effect of their productions, and describing overall trends. It also explores the relationship of today's artists to the historical avant-garde, revealing a vibrant form of artistic engagement that has a history but has certainly not ended. The essays address such questions as the effects of transformations of cinematic space; the political effects of the breakdown of barriers between experimental film and advertising, and of the rise of music videos and reality TV; the effects of the collapse of the Soviet bloc, the rise of capitalism, and the European movement on experimental film work; and whether these experiments are aligned with mass political movements -- for instance that of anti-globalization -- or whether they strive for autonomy from quotidian politics. Randall Halle is Klaus W. Jonas Professor of German and Film Studies at the University of Pittsburgh. Reinhild Steingroever is Associate Professor of German in the Department of Humanities at the Eastman School of Music.
Details
ISBN/GTIN978-1-57113-365-6
ProduktartBuch
EinbandartGebunden
FormatUngenäht / geklebt
Erscheinungsjahr2008
Erscheinungsdatum01.10.2008
Seiten371 Seiten
SpracheEnglisch
MasseBreite 160 mm, Höhe 236 mm, Dicke 33 mm
Gewicht677 g
Artikel-Nr.14480090

Inhalt/Kritik

Inhaltsverzeichnis
Introduction - Randall Norman Halle and Reinhild SteingroeverThe Future of "Art" and "Work" in the Age of Vision Machines: Harun Farocki - Thomas ElsaesserThe Embodied Film: Austrian Contributions to Experimental Cinema - Bernadette WagensteinInterview with Filmmaker Birgit Hein - Randall Norman Halle and Reinhild SteingroeverVideorebels: Actions and Interventions of the German Video-Avant-Garde - Annette Jael LehmanMeida in the Interim: Independent Film in East Germany before and after 1989 - Claus LoeserBlackbox GDR: DEFA's Untimely Avant-Garde - Reinhild SteingroeverIn Your Face: Activism, Agit-Pop, and the Autonomy of Migration; The Case of Kanak Attak - Nanna Heidenreich and Vojin Sasa VukadinovicRapidly Expanding Cinema: On Border Rescue and the Tendentiousness of Interventionist Art - Randall Norman HalleThe Post-Pop Hauntings of Bjorn Melhus - Alice A. KuzniarSchlingensief's Peep Show: Post-Cinematic Spectacles and the Public Space of History - Richard LangstonFrom the Diary to the Webcam: Michael Brynntup and the Medical Self - QWERTY Cinema: Christoph Girardet/Matthias Muller's Pheonix Tapes - Rembert HuserKirsten Winter: From Avant-Garde to Second Modernity - Larson PowellThe Representation of Space in the Films of Heinz Emigholz - Owen LyonsShocking the Audience, Shocking the Artist: Aesthetic Affinities to the Avant-Garde in Elke Krystufek's Work - Christina Schmidmehr