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Cinema in Service of the State

Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960
BuchGebunden
406 Seiten
Englisch
Berghahn Bookserschienen am01.12.2015
Despite being two key sites for filmmaking in the Soviet bloc, the national cinemas of Czechoslovakia and East Germany have received comparatively little attention from scholars. This volume comprehensively explores these film cultures to form a multifaceted, richly contextualized portrait.mehr
Verfügbare Formate
BuchGebunden
EUR153,90
BuchKartoniert, Paperback
EUR48,40
E-BookPDFDRM AdobeE-Book
EUR129,99

Produkt

KlappentextDespite being two key sites for filmmaking in the Soviet bloc, the national cinemas of Czechoslovakia and East Germany have received comparatively little attention from scholars. This volume comprehensively explores these film cultures to form a multifaceted, richly contextualized portrait.
Details
ISBN/GTIN978-1-78238-996-5
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2015
Erscheinungsdatum01.12.2015
Seiten406 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 26 mm
Gewicht738 g
Artikel-Nr.35758873
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
AcknowledgmentsIntroductionPART I: CULTURAL POLICY AND CINEMAChapter 1. From Soviet Zone to Volksdemokratie: The Politics of Film Culture in the GDR, 1945-1960David BathrickChapter 2. Czechoslovak Culture and Cinema, 1945-1960JiÅí KnapíkPART II: PRODUCTION AND CO-PRODUCTIONChapter 3. Veterans and Dilettantes : Film Production Culture vis-à-vis Top-down Political Changes, 1945-1962Petr SzczepanikChapter 4. Barrandov´s Co-Productions: The Clumsy Way to Ideological Control, International Competitiveness, and Technological ImprovementPavel SkopalChapter 5. Co-Productions (Un)Wanted: 1950s East/West German Film Collaborations and the Impact of Sovietisation on DEFA´s Prestige AgendaMariana IvanovaChapter 6. No TV without Film: Production Relations between the DEFA Studios and Deutscher FernsehfunkThomas BeutelschmidtPART III: NON-FICTIONAL CINEMAChapter 7. Military Film Studios before 1970: Between Cinematic Avant-Garde and Films on CommandVáclav SmidrkalChapter 8. Socialism for Sale: Czechoslovak Krátký film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950sLucie ÄesálkováPART IV: CHILDREN'S CINEMAChapter 9. Between Magic and Education: the First Fairy Tale Films in the GDRChristin NiemeyerChapter 10. Children´s Films: Between Education, Art and IndustryLukás SkupaPART V: FILM FESTIVALSChapter 11. Decreed Open-Mindedness: The Leipzig Documentary and Short Film Festival in the 1960s as an example of the self-representation of the East German StateAndreas KötzingChapter 12. National, Socialist, Global: The Changing Roles of the Karlovy Vary Film Festival, 1946-1956JindÅiska BláhováPART VI: DISTRIBUTION AND RECEPTIONChapter 13. Cinema Cultures of Integration: Film Distribution and Exhibition in the GDR and Czechoslovakia from the Perspective of Two Local Cases, 1945-1960Kyrill Kunakhovich and Pavel SkopalChapter 14. A Decade between Resistance and Adaptation: The Leipzig University Film Club (1956-1966)Fernando Ramos ArenasChapter 15. Screening the Occupier as Liberator: Soviet War Films in the SBZ and the GDR, 1945-65Lars KarlFilmographyBibliographyIndexmehr

Autor

Pavel Skopal is a Lecturer in the Department of Film Studies and Audiovisual Culture, Masaryk University, Brno. He has edited anthologies devoted to the Czech film industry in the 1950s and local cinema history, and he has published a book of comparative research on cinema distribution and reception in Czechoslovakia, Poland, and the GDR. His current book project is focused on co-productions between East Germany and Czechoslovakia.