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New Perspectives on Handel's Music

Essays in Honour of Donald Burrows
BuchGebunden
476 Seiten
Englisch
Boydell & Brewererschienen am11.10.2022
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.mehr

Produkt

KlappentextAn international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Details
ISBN/GTIN978-1-78327-146-7
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2022
Erscheinungsdatum11.10.2022
Seiten476 Seiten
SpracheEnglisch
MasseBreite 163 mm, Höhe 236 mm, Dicke 30 mm
Gewicht1111 g
Artikel-Nr.58842233

Inhalt/Kritik

Inhaltsverzeichnis
OuvertureDavid VickersAct I. Handel's Music and Creative Practices1 'Almire regiere': Some Reflections on the First Aria in Handel's First OperaDavid Kimbell2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musicaSuzana Ograjensek3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his ContemporariesJohn H. Roberts4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737David Vickers5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6Silas Wollston6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757)Matthew GardnerAct II. Sources, Documents and Attributions7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and ChronologyAndrew V. Jones8 When and Why Did Handel Replace his Conducting Scores?Hans Dieter Clausen9 Handel, the Duke of Chandos and Investing in the Royal African CompanyDavid Hunter10 Handel and Comus at ExtonColin Timms11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and ProductionLeslie M.M. Robarts12 New Music by Handel for Horns?â Anthony Hicks (rev. Colin Timms)Act III. Context and Reception13 Bach and Handel: Differences within a Common Culture of Musical InventionJohn Butt14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730sRichard G. King15 Charles Jennens RevisitedRuth Smith16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's LifetimeGraydon Beeks17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760)Tríona O'Hanlon18 Early Keepers of the Flame: Vanneschi (and Handel) at the OperaMichael Burden19 Revamped Handel: The Content and Context of his So-Called 'Miserere'H. Diack Johnstone20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu'Annette LandgrafThe Works of Donald BurrowsIndex of Handel's WorksGeneral IndexTabula Gratulatoriamehr