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The Philosophy of Theatre, Drama and Acting

von
BuchGebunden
Englisch
RLPG/Galleyserschienen am06.12.2017
A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.mehr
Verfügbare Formate
BuchGebunden
EUR156,60
BuchKartoniert, Paperback
EUR56,80

Produkt

KlappentextA collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
Details
ISBN/GTIN978-1-78348-621-2
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2017
Erscheinungsdatum06.12.2017
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 18 mm
Gewicht513 g
Artikel-Nr.42952959

Inhalt/Kritik

Inhaltsverzeichnis
1. Introduction Tom Stern / Part I Historical Perspectives / 2. Hegel´s Instinct of Reason and Shakespeare´s The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?´ Jennifer Ann Bates / 3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal / Part II Acting / 4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern / 5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy / 6. Attention to Technique in Theatre Paul Woodruff / 7. Giving Focus Tzachi Zamir / Part III: Theatre as Art / 8. What is the relationship between observed´ and participatory´ performance? James R. Hamilton / 9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz / 10. Ideals of Theatrical Art´ Paul Thommehr

Autor

Tom Stern is Senior Lecturer in Philosophy at University College London. He is the author of Philosophy and Theatre: An Introduction (2013).Contributors:Kristin Gjesdal, Professor of Philosophy, Temple University, USA; Jennifer Ann Bates, Professor of Philosophy, Duquesne University, USA; Paul Woodruff, Professor of Philosophy, University of Texas Austin, USA; Tzachi Zamir, Associate Professor of English and General & Comparative Literature, Hebrew University Jerusalem, Israel; James R. Hamilton, Professor of Philosophy, University of Kansas, USA; David Saltz, Professor of Theatre and Film Studies, University of Georgia, USA; Paul Thom, Honorary Visiting Professor in the School of Philosophical and Historical Inquiry, University of Sydney, Australia, Lior Levy, Assistant Professor, University of Haifa