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Creative Presence

Settler Colonialism, Indigenous Self-Determination and Decolonial Contemporary Artwork
BuchGebunden
Englisch
RLPG/Galleyserschienen am15.10.2020
This book contributes a transnational feminist intersectional analysis of artwork as a powerful force in world politics and argues that contemporary artwork is a site of knowledge production that provides vital insights for scholars of world politics.mehr
Verfügbare Formate
BuchGebunden
EUR160,10
BuchKartoniert, Paperback
EUR58,00

Produkt

KlappentextThis book contributes a transnational feminist intersectional analysis of artwork as a powerful force in world politics and argues that contemporary artwork is a site of knowledge production that provides vital insights for scholars of world politics.
Details
ISBN/GTIN978-1-78552-320-5
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2020
Erscheinungsdatum15.10.2020
ReiheKilombo: International Relations and Colonial Questions
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 18 mm
Gewicht532 g
Artikel-Nr.56203662

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1. Introduction: Settler Colonial Claims to Sovereignty and Decolonial Contemporary Artwork Chapter 2. Creative Presence: Tracing the Coloniality of Global Power and Decolonial World Politics Through the Materials, Media Forms and Place-Making of Contemporary ArtworkChapter 3. Unsettling International Relations: Decolonizing International Relations Theories of Global Power and Settler Colonial Claims to Exclusive Sovereignty Chapter 4. Decolonizing Settler Colonial Art Institutions: Brian Jungen´s Visual Exhibition Methods of Prototypes for New UnderstandingChapter 5. Materializing Indigenous Self-Determination: Brian Jungen´s Materials and Sculptural Methods in Prototypes for New UnderstandingChapter 6. The Scenario of Naming Power: Remembering Traumas of Canadian Settler Colonialism in Rebecca Belmore´s filmed performance installation The Named and the UnnamedChapter 7. International Art World and Transnational Artwork: Creative Presence in Rebecca Belmore´s Fountain at the Venice BiennaleChapter 8. Conclusion: Contemporary Artwork and Decolonial Futures of World PoliticsWorks CitedIndexmehr

Autor

Emily Hannah Merson is Course Leader and Lecturer for Political Science at York University, Canada. She recieved her Ph.D. degree in Political Science from the Graduate Program in Political Science at York University in June 2015. My commitment to decolonization in my research and teaching emerges from my position as a Canadian settler living and working in my hometown of Toronto, which is located on the lands and waterways of the Mississaugas of the New Credit First Nation and the Anishinaabe and Haudenosaunee peoples.