Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

The Crossroads of Crime Writing

Unseen Structures and Uncertain Spaces
BuchGebunden
244 Seiten
Englisch
Anthem Presserschienen am05.03.2024
This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. The chapters within utilize theories of cultural memory and/or deep mapping to facilitate this process.mehr
Verfügbare Formate
BuchGebunden
EUR132,20
E-BookEPUBDRM AdobeE-Book
EUR35,99

Produkt

KlappentextThis volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. The chapters within utilize theories of cultural memory and/or deep mapping to facilitate this process.
Details
ISBN/GTIN978-1-83999-117-2
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2024
Erscheinungsdatum05.03.2024
Seiten244 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 19 mm
Gewicht554 g
Artikel-Nr.13158081
Rubriken
GenreRomane Hardcover

Inhalt/Kritik

Inhaltsverzeichnis
Introduction Meghan P. Nolan and Rebecca Martin; â1. Unseen Structures and the Outlaw: Depictions of Violations in Stieg Larsson´s Millennium Trilogy; 2. Dark Waters: Eco-Noir in New York 2140; 3. Between Lenin and Sherlock Holmes: Soviet Militsiya Procedural in Volodymyr Kashin´s Detective Fiction; 4. Detecting Justice: Black Crime Fiction and the Novels of Attica Locke; 5. The Police and the Private Eye: The Making of Gendered and Racial Peripheralization in the Crime Fiction of Valerie Wilson Wesley; 6. Navigating the Carceral City: Calcutta in Late Nineteenth-Century Narratives of Detection; 7. Traversing the Borders of Poverty and Morality: The Intersection of Maps and Upper-Class Ethics in Anne Perry´s Neo-Victorian Series; 8. Facts and Fictions: The Liminal Space Between True Crime and Crime Fiction; 9. The Success(Ion) and Corruption of Crime Genres in Jo Nesbø´s Macbeth (2018); 10. The Golden Age Meets the Age of Aquarius: Agatha Christie in the 1960s; Notes on Editors and Contributors; Permissions; Indexmehr

Autor

Meghan P. Nolan, MFA, MA, PhD, is an Associate Professor of English and Chair of the Honors program at SUNY Rockland Community College. She is a multigenre writer, who focuses on (Neo-)Victorian and Modern literature/crime writing and fragmented perceptions of self-hood through many published academic works, fiction, non-fiction, and poetry.
Rebecca Martin, PhD, is Professor Emerita of English at Pace University in New York. In addition to her PhD, which focused on the eighteenth-century Gothic novel in England, she holds a graduate certificate in film studies from CUNY Graduate Center, and her interest in crime writing focuses on the hardboiled tradition.
Weitere Artikel von
P. Nolan, Meghan
Hrsg.