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The Artists' Brush

World history, Theory & Practice
BuchGebunden
382 Seiten
Englisch
The Cloister House Presserschienen am30.11.2023
A history of art told in the context of the evolution and importance of the artists brush.mehr
Verfügbare Formate
BuchGebunden
EUR125,00
TaschenbuchKartoniert, Paperback
EUR111,00

Produkt

KlappentextA history of art told in the context of the evolution and importance of the artists brush.
Details
ISBN/GTIN978-1-913460-73-0
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2023
Erscheinungsdatum30.11.2023
Seiten382 Seiten
SpracheEnglisch
MasseBreite 221 mm, Höhe 286 mm, Dicke 29 mm
Gewicht1683 g
Artikel-Nr.12548446
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Inhalt/Kritik

Inhaltsverzeichnis
Forewords; Preface; Format & List Of Abbreviations; Chapter 1 Scope & Approach; World History; Chapter 2 Deep History; Chapter 3 Dawn Of Symbolic Art; Chapter 4 Neolithic Afro-Eurasia; Chapter 5 Africa; Chapter 6 Ancient Egypt; Chapter 7 Classical World ; Chapter 8 Late Antiquity & Early Medieval Europe ; Chapter 9 European Renaisance & The Early Modern Era ; Chapter 10 European Late Modern Period; Chapter 11 Iran & Arabia; Chapter 12 India; Chapter 13 China; Chapter 14 Korea; Chapter 15 Japan; Chapter 16 The Americas; Chapter 17 Oceania; Theory & Practice; Chapter 18 Brush Anatomy & Construction; Chapter 19 Brush Physics; Chapter 20 Mark Making; Indexmehr

Autor

Philip Bayliss Brown was born in Essex and studied medicine at St. Bartholomew's Hospital, London. He pursued a career in General Practice coupled with a series of Medical Informatic academic appointments specialising in the development of computerised health care ontologies for use in electronic medical records. Philip is a life time scholar of historical art techniques and following retirement from clinical practice obtained an MA in Fine Art and trained in portraiture in London, Salisbury and Florence. He has had a number of solo shows in the UK and Italy and also joint exhibitions elsewhere in Europe, the USA and China. He has been shortlisted for a number of awards including the Signature art prize (2015), Deutsche Bank Award (2017) and the Lynn Painter-Stainers Prize (2019). His last supper painting, The Weight of Blood was longlisted for the National Portrait Gallery BP award and formed the focus of a solo exhibition in Westminster Cathedral, London. His passion for the subject matter, experience as an academic writer and a practicing painter, has serendipitously placed him in the fortuitous position to author this definitive account of The Artist's Brush. Philip lives with his wife and dog in Norfolk, England and Umbria, Italy.
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