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Performing Southeast Asia

Performance, Politics and the Contemporary
BuchGebunden
294 Seiten
Englisch
Springererschienen am15.02.20201st ed. 2020
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies.mehr
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BuchGebunden
EUR106,99
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EUR106,99
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Produkt

KlappentextPerforming Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies.
Zusammenfassung
Examines new and recent Southeast Asian performances and artists

Engages specifically with political theatres

Expands the discussion around censorship and gender with new and 'inside' perspectives
Details
ISBN/GTIN978-3-030-34685-0
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2020
Erscheinungsdatum15.02.2020
Auflage1st ed. 2020
ReiheContemporary Performance InterActions
Seiten294 Seiten
SpracheEnglisch
Gewicht536 g
IllustrationenXV, 294 p. 8 illus.
Artikel-Nr.47614707

Inhalt/Kritik

Inhaltsverzeichnis
1. Politics, Performance, the Contemporary and Southeast Asia; Marcus Cheng Chye Tan and Charlene Rajendran.- 2. Yesterday´s Dreams, Tomorrow´s Promise´: Performing a Pan-ASEAN Archipelagic Identity at Age 50; William Peterson and Reagan Romero Maiquez.- 3. Pornography Disguised as Art´: Bare/d Bodies, Biopolitics and Multicultural Tolerance in Singapore; Marcus Cheng Chye Tan.- 4. ABaling in a Time of BERSIH: Embodying Historical Transcripts as Enactments of Resistance; Charlene Rajendran.- 5. Staging the Banality of Social Evil: Faust and/in Philippine Contemporary Social Politics; Sir Anril Pineda Tiatco.- 6. A Transformative Theatre of Dialogue: The Makhampom Theatre Group´s Negotiation of Thailand´s Likay (Theatre) State; Richard Barber and Pongjit Saphakhun.- 7. Intervention, Openness and Ownership: Interview with Ong Keng Sen on Festival Dramaturgy; Charlene Rajendran.- 8. Wayang kontemporer: The Politics of Sponsorship and Innovation; Miguel Escobar Varela.- 9. Authenticity and Contemporary Musical Theatre in Thailand; Wankwan Polachan.- 10.Bangsokol: A Requiem for Cambodia-The Politics of Memory and an Aesthetics of Remembrance; Marcus Cheng Chye Tan.- 11. The Wheres and Whys of Southeast Asia: Art and Performance in the Locating of Southeast Asia Today; Farish A. Noor.mehr

Autor

Marcus Cheng Chye Tan is Assistant Professor at the National Institute of Education, Nanyang Technological University, Singapore. He researches primarily in intercultural theatre and sound and performance, and has published in TDR, Contemporary Theatre Review, Theatre Research International, Cahiers Elisabethains, Journal of Interdisciplinary Voice Studies, among others. His monograph Acoustic Interculturalism was published with Palgrave Macmillan in 2012.
Charlene Rajendran is Assistant Professor at the National Institute of Education, Nanyang Technological University, Singapore. She has published a range of articles on Theatre and Drama Education, including in academic journals such as Asian Theatre Journal and Theatre, Dance and Performance Training, and edited volumes published by Palgrave and Routledge. She has taught a wide range of courses while teaching at NTU, including courses that examine contemporary and traditional performance in Southeast Asia.
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