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The Use of Asian Theatre for Modern Western Theatre

The Displaced Mirror
Book on DemandKartoniert, Paperback
313 Seiten
Englisch
Springererschienen am24.12.20191st ed. 2018
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W.mehr
Verfügbare Formate
BuchGebunden
EUR96,29
E-BookPDF1 - PDF WatermarkE-Book
EUR96,29
Book on DemandKartoniert, Paperback
EUR53,49

Produkt

KlappentextThis book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W.
ZusammenfassungExamines 'intercultural theatre' from the perspectives of traditional Asian theatres, not from the dominant perspectives of modern Western theatre
Uncovers information that has never before been available to English-speaking scholars
Engages with the important field of interculturalism and the problems of globalization
Details
ISBN/GTIN978-3-030-40367-6
ProduktartBook on Demand
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2019
Erscheinungsdatum24.12.2019
Auflage1st ed. 2018
Seiten313 Seiten
SpracheEnglisch
Gewicht421 g
IllustrationenLiteraturverz.
Artikel-Nr.47835065
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1. Lugné-Poe´s Orientalism as Part of his Mission as an International Dramatic Prospector.- Chapter 2. Appia´s and Craig´s Views of the Japanese Theatre.- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing.- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre.- Chapter 5. Authenticity and Usability, or Welding the Unweldable : Meyerhold´s Refraction of the Japanese Theatre.- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein´s Disintegration and Reconstitution of Kabuki Theatre.- Chapter 7. The Asiatic´ Model : The Brechtian Displacement and Refunctioning of the Japanese Theatre.- Conclusion.mehr

Autor

Min Tian holds his second PhD in Theatre History from the University of Illinois at Urbana-Champaign, USA, having secured his first PhD from the Central Academy of Drama in Beijing, China. He has taught as Associate Professor at the Central Academy of Drama and currently works at the University of Iowa, USA. He is the author of Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (2012), The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre (2008), Shakespeare and Modern Drama: From Henrik Ibsen to Heiner Müller (2006), and editor of China's Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894-1961 (2010).