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Crime Scenery in Postwar Film and Photography

BuchKartoniert, Paperback
285 Seiten
Englisch
Springer Palgrave Macmillanerschienen am30.05.20221st ed. 2019
By way of a thoroughly interdisciplinary approach, Crime Scenery in Postwar Film and Photography brings landscape studies into close dialogue with contemporary theory by paying sustained attention to how the gesture of retracing past events facilitates new configurations of the present and future.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR32,09
BuchGebunden
EUR80,24
E-BookPDF1 - PDF WatermarkE-Book
EUR32,09

Produkt

KlappentextBy way of a thoroughly interdisciplinary approach, Crime Scenery in Postwar Film and Photography brings landscape studies into close dialogue with contemporary theory by paying sustained attention to how the gesture of retracing past events facilitates new configurations of the present and future.
Details
ISBN/GTIN978-3-031-08888-9
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2022
Erscheinungsdatum30.05.2022
Auflage1st ed. 2019
Seiten285 Seiten
SpracheEnglisch
IllustrationenXV, 285 p. 30 illus., 3 illus. in color.
Artikel-Nr.9490470
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
1. Imperfect Crimes.- 2. From Dreamwork to Earthwork.- 3. Intruders in the Dust.- 4. A Murder of Crows.- 5. Persistence of Vision.- 6. The Testimony of Trees.mehr
Kritik
"As this is a film and television journal review, I'll leave the photographers aside and concentrate on Gustafsson's selection and analysis of the films. He systematically examines works that together cover a significant geographical and chronological stretch and are all preoccupied with more or less detectable traces left in a landscape by warfare ... . All in all, Gustafsson's book successfully argues that reports about the death of landscape as an art form have been greatly exaggerated." (Andrei Rogatchevski, Historical Journal of Film, Radio and Television, March 10, 2022)mehr

Schlagworte

Autor

Henrik Gustafsson is Professor of Film, Media and Visual Culture in the Department of Media and Documentation Science, University of Tromsø, Norway. His articles appear in numerous anthologies and journals, and he is the author or editor of four books, including Cinema and Agamben: Ethics, Biopolitics and the Moving Image (co-edited with Asbjørn Grønstad, 2014) and Out of Site: Landscape and Cultural Reflexivity in New Hollywood Cinema, 1969-1974 (2008).