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Representing the Rural on the English Stage

Performance and Rurality in the Twenty-First Century
BuchGebunden
204 Seiten
Englisch
Springererschienen am06.06.20232023
This book explores how the English rural has been represented in contemporary theatre and performance. Moore´s Common to Black rural history in Testament´s Black Men Walking, the book shows how theatre and performance can open up different ways of reading rural geographies, histories, and lives.mehr
Verfügbare Formate
BuchGebunden
EUR139,09
BuchKartoniert, Paperback
EUR139,09
E-BookPDF1 - PDF WatermarkE-Book
EUR128,39

Produkt

KlappentextThis book explores how the English rural has been represented in contemporary theatre and performance. Moore´s Common to Black rural history in Testament´s Black Men Walking, the book shows how theatre and performance can open up different ways of reading rural geographies, histories, and lives.
Zusammenfassung
Explores how the English rural has been represented in contemporary theater and performance

Celebrates the lively engagement with rurality on English stages since 2000

Draws on political philosophy and cultural geography in its definitions of rurality and Englishness
Details
ISBN/GTIN978-3-031-26477-1
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2023
Erscheinungsdatum06.06.2023
Auflage2023
Seiten204 Seiten
SpracheEnglisch
IllustrationenXI, 204 p. 3 illus., 2 illus. in color.
Artikel-Nr.51913546

Inhalt/Kritik

Inhaltsverzeichnis
Introduction.- Chapter One: Staging the English Rural.- Chapter Two: Rural and Nation in Mike Bartlett´s Albion.- Chapter Three: Simpler Times: Pre-Industrial Rural England in D.C. Moore´s Common and E.V. Crowe´s The Sewing Group.- Chapter Four: Muck, Cattle, and Pigs: Rural Labour in Nell Leyshon´s The Farm, Richard Bean´s Harvest,  and Bea Roberts´ And Then Come the Nightjars.- Chapter Five: White Open Spaces: Race and Rurality.- Conclusion.mehr

Autor

Dr Gemma Edwards is a Leverhulme Early Career Fellow at the University of Manchester, UK. Her work focuses on place, politics, and performance, particularly in non-metropolitan contexts. She has published on rurality in contemporary theatre, and her next project explores race, class, and English nationhood from 1945 to the present.