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Who Wrote Citizen Kane?

Statistical Analysis of Disputed Co-Authorship
BuchGebunden
167 Seiten
Englisch
Springererschienen am29.09.20231st ed. 2023
The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles´ and of Mankiewicz´s writing?And What did each contribute to the writing of the Citizen Kane screenplay?mehr
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Produkt

KlappentextThe author employs computing and statistics to answer two questions: What are the distinguishing features of Welles´ and of Mankiewicz´s writing?And What did each contribute to the writing of the Citizen Kane screenplay?
Details
ISBN/GTIN978-3-031-40223-4
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2023
Erscheinungsdatum29.09.2023
Auflage1st ed. 2023
ReiheQuantitative Methods in the Humanities and Social Sciences
Seiten167 Seiten
SpracheEnglisch
IllustrationenXIII, 167 p. 68 illus.
Artikel-Nr.54123075

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: War of the Words.- 1. The Trials of Co.- Authorship.- 2. Screenplays: Words on a Page.- 3. The Statistical Analysis of Style: Aims and Methods.- 4. Distinguishing Mankiewicz from Welles: Training Phase Results.- 5. Comparing Mankiewicz and Welles to the Citizen Kane Screenplay.- (1): Relative Frequencies, Distinctiveness Ratios,and Confidence Intervals.- 6. Comparing Mankiewicz and Welles to the Citizen Kane Screenplay (2): Sentence Length, Clusters, Type/Token.- Ratios, and Linguistic Inquiry and Word Count (LIWC)In Conclusion.- Appendice.- Works Cited.- Index.mehr

Schlagworte

Autor

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. His research interests include (1) Film Theory (semiotics, cognitive film theory); (2) Narrative Theory (puzzle films, unreliable narration); (3) Digital Humanities (statistical style analysis, stylometric analysis of screenplays).

He is author of Narrative and Narration: Analyzing Cinematic Storytelling (2021), Wes Anderson's Symbolic Storyworld (2019), Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000). His edited collections include Puzzle Films: Complex Storytelling in Contemporary Cinema (2009).