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Neuroaesthetics

A Methods-Based Introduction
BuchKartoniert, Paperback
291 Seiten
Englisch
Springererschienen am08.08.20242024
Written in a style that appeals to humanities students without prior science training, and to science students without prior humanities training, the textbook contains 6 Units, material for an introductory class, and summative comments to be discussed in a closing meeting.mehr
Verfügbare Formate
BuchGebunden
EUR53,49
BuchKartoniert, Paperback
EUR42,79

Produkt

KlappentextWritten in a style that appeals to humanities students without prior science training, and to science students without prior humanities training, the textbook contains 6 Units, material for an introductory class, and summative comments to be discussed in a closing meeting.
Details
ISBN/GTIN978-3-031-42325-3
ProduktartBuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2024
Erscheinungsdatum08.08.2024
Auflage2024
Seiten291 Seiten
SpracheEnglisch
Gewicht476 g
IllustrationenXVIII, 291 p. 76 illus., 50 illus. in color.
Artikel-Nr.54323717

Inhalt/Kritik

Inhaltsverzeichnis
FOREWORDAesthetics and Neuroaestheticsby Tudor Balinisteanu, Adrian Nita, Mamadou Dramé, and Emanuela Motrescu1  INTRODUCTIONRepresentative Foci in Neuroaesthetics: Subjectivist, Objectivist, and Interactionist Perspectivesby Per Olav Folgerø  UNIT 1Overview: A Critical Assessment of Neuroaesthetics as Experimental Science - Chances, Challenges, Required Commitmentsby Claus-Christian Carbon Lesson 1: Behavioural Experiments: Research Designs, Statistical Power, Sample SizeCase Study: Empathy and Closeness in Partnered Dance by Tudor Balinisteanu Lab 1:  Data Collection and Analysis: Repeated-measures (Mixed) ANOVA and Factorial ANOVA using SPSS Case Study: Empathy and Closeness in Partnered Dance  UNIT 2Overview: Neuroaesthetics Approaches to the Visual Arts: Perception Focus Topic: CGI-Generated Creative Content and Artificial Intelligenceby Pamela Breda Lesson 2: Portraits as Facesby Lasse Hodne Lab 2: Portraits as Faces by Lasse Hodne  UNIT 3Overview: Neuroaesthetics Approaches to the Visual Arts: Creationby Marius-Alexandru Teodorescu Lesson 3: Using Reaction Time and Mixed Modelsby Christer Johansson and Per Olav Folgerø Lab 3: Gender and Prototypesby Christer Johansson and Per Olav Folgerø  UNIT 4Overview: Symmetry Research in Neuroaestheticsby Alexandru I. Berceanu Lesson 4: Why Is en face Associated with Holiness?by Christer Johansson and Per Olav Folgerø Lab 4: Create Your Own Association Graphs and Correspondence Analysis Using Rby Christer Johansson and Per Olav Folgerø UNIT 5Overview: The Neuroaesthetics of Musicby Morteza Izadifar Lesson 5: A Very Brief Introduction to Neuroimagingby Karsten Specht Additional Lecture: Blurred Lives: Cognition and Feelings in Human-AI Interactionsby Pamela Breda  UNIT 6Overview: The Practice of Neuroaestheticsby Anja Borowicz Richardson and Oana Teodora Papuc  Lesson 6: Coordination Techniques of Instructive-Educational Activities in the Field of Neuroaesthetics Using Problem-Based Learning (PBL)by Oana Geman, Emanuela Motrescu, and Johan Magnus Elvemo Lab 6: PBL in Neuroaesthetics Case Study: Strategizing the Use of Relevant Research Methodsby Oana Geman, Emanuela Motrescu, and Johan Magnus Elvemo  SUMMATIVE COMMENTSby Tudor Balinisteanumehr

Autor

Tudor Balinisteanu is a Research Fellow at University of Suceava, Romania, and established the first Neuroaesthetics Lab in Romania. He is currently researching empathy through leading participation in international projects including PoeticA, focusing on the biological universals of the aesthetic experience of poetry, Origins of Dance, focusing on the origins of rhythm in mutual entrainment, and VIVAET, that aims to create empathic visual identities for medical AIs.
Kerry Priest is an interdisciplinary artist and visiting specialist in music at the University of Plymouth, UK. She has previously taught at Von Humboldt University, Germany and the University of Eichstaett-Ingolstadt. Her poetry has been published widely and she has written libretti for the Royal Opera House and stage work for the Minack Theatre.
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Herausgegeben:Balinisteanu, Tudor
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