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Reflective Affective Dramaturgies of Participatory Theatre

Larping Audiences into Performance
BuchGebunden
193 Seiten
Englisch
Springererschienen am02.09.20242024
Through its integration of the practical and theoretical, this work serves as an essential study for scholars, students and artists in theatre studies, performance studies, visual art studies, role-play studies, cultural studies, and philosophy.mehr
Verfügbare Formate
BuchGebunden
EUR139,09
E-BookPDF1 - PDF WatermarkE-Book
EUR117,69

Produkt

KlappentextThrough its integration of the practical and theoretical, this work serves as an essential study for scholars, students and artists in theatre studies, performance studies, visual art studies, role-play studies, cultural studies, and philosophy.
Details
ISBN/GTIN978-3-031-64458-0
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2024
Erscheinungsdatum02.09.2024
Auflage2024
Seiten193 Seiten
SpracheEnglisch
Gewicht360 g
IllustrationenIX, 193 p. 17 illus.
Artikel-Nr.56433019

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Histories and lineages of affect in performance and larp.- Chapter 1. The Potential Machine: the reflective affective model.- Chapter 2. It feels real : excess and intensity in The Prison.- Chapter 3. A bigger version of me : self-presence in New Voices in Art.- Chapter 4. Am I that kind of person? : the RA model applied from concept to post-production in Two Truths.- Chapter 5. Conclusion: considering our systems of performance.mehr

Autor

Sarah Hoover is a Postdoctoral Researcher with the University of Galway, Ireland, on the EU Horizon 2020 funded project Computational Literary Studies Infrastructure (CLS INFRA). Her research centres on the creation and digitisation of interactive and other audience-centred performance dramaturgies, considered through new materialist theory. As a lecturer, Hoover convenes and delivers postgraduate modules from Applied Dramaturgy to Critical Methods, and undergraduate modules including Artistic Research, Performance Studies and Advanced Devising. In addition to research projects and extensive teaching, Hoover dramaturgs new theatre and performance in the UK, US and Ireland.
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