Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

Italy's Other Women

Gender and Prostitution in Italian Cinema, 1940-1965
BuchKartoniert, Paperback
454 Seiten
Englisch
Peter Langerschienen am29.07.2016
In the period 1940-1965 the female prostitute featured in at least 10 per cent of Italian-made films. This book explains why she was so prevalent in Italian cinema of this period and offers a new account of her on-screen presence. The author shows that prostitutes in Italian cinema are much more than simply tarts with hearts´ or martyr figures.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR80,20
E-BookEPUBDRM AdobeE-Book
EUR67,99

Produkt

KlappentextIn the period 1940-1965 the female prostitute featured in at least 10 per cent of Italian-made films. This book explains why she was so prevalent in Italian cinema of this period and offers a new account of her on-screen presence. The author shows that prostitutes in Italian cinema are much more than simply tarts with hearts´ or martyr figures.
Details
ISBN/GTIN978-3-0343-1934-8
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2016
Erscheinungsdatum29.07.2016
ReiheItalian Modernities
Reihen-Nr.25
Seiten454 Seiten
SpracheEnglisch
Gewicht650 g
Illustrationen51 Abb.
Artikel-Nr.39751314

Inhalt/Kritik

Kritik
«[...] Hipkins' book is an informative analysis of a less studied aspect of Italian film productions in the twenty years following World War II that will be very helpful to scholars looking to explore the development of Italy as a capitalist country.»
(Gloria Pastorino, gender/sexuality/italy 4/2017)mehr

Autor

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter. She has published widely on gender and postwar Italian culture. With colleagues at Bristol and Oxford Brookes, she is currently working on the Italian Cinema Audiences project, a collaborative study of cinema-going in Italy in the 1950s. She is co-editing the book New Takes on Fallen Women: Prostitution and Sex Work in Global Visual Media (forthcoming), as well as developing a new project about girls, postfeminism and contemporary European cinema.