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Naturally Hypernatural I: Concepts of Nature

BuchKartoniert, Paperback
214 Seiten
Deutsch
Peter Langerschienen am07.11.2016
Concepts of Nature - the first volume of the project Naturally Hypernatural - argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.mehr

Produkt

KlappentextConcepts of Nature - the first volume of the project Naturally Hypernatural - argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.
Details
ISBN/GTIN978-3-0343-2124-2
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2016
Erscheinungsdatum07.11.2016
ReiheArt - Knowledge - Theory
Reihen-Nr.4
Seiten214 Seiten
SpracheDeutsch
Gewicht520 g
Illustrationen82 Abb.
Artikel-Nr.40003496
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Tom Huhn: On Nature and Human Coldness - Sabine Flach: How much Life is in a Still-Life? Art´s Hypernatural Nature - Gerhard Scharbert: Natural-Supernatural-Hypernatural. Modernity´s Struggle against Naturalism - Hans Dickel: Hybridformen zeitgenössischer Kunst mit Natur: in Werken von Per Kirkeby, Andreas Eriksson, Carsten Höller und Pierre Huyghe - Suzanne Anker: Petri(e)´s Panoply - Anselm Wagner: Inside the Green Room. The Ideology of Nature in Contemporary Architecture - Nicolas de Oliveira/Nicola Oxley: In the Play of Shadow - Jeanne Silverthorne: The Invisible Worm - Gary Sherman: Significant Other - Thomas Feuerstein: Flesh for Fantasy - Lois Weinberger: Notizen über ein Feld - Margit Stadlober: Creative Nature in Renaissance Landscape - Maureen Jeram: Painting a Portrait: From the Natural to the Hypernatural.mehr

Autor

Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. Her seminal text The Molecular Gaze: Art in the Genetic Age (co-authored with the late Dorothy Nelkin) was published in 2004. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005.