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Narratives of French Modernity

Themes, Forms and Metamorphoses- Essays in Honour of David Gascoigne
BuchKartoniert, Paperback
353 Seiten
Englisch
Peter Langerschienen am04.03.2011
Examines the flourishing of intertextuality, as well as the use of traditional forms, such as mythical structures and the 'robinsonade', to undermine authoritative 'metarecits'. This book examines a wide variety of prose genres, from pornography to Bildungsroman to magic realism, as well as poetry.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR81,70

Produkt

KlappentextExamines the flourishing of intertextuality, as well as the use of traditional forms, such as mythical structures and the 'robinsonade', to undermine authoritative 'metarecits'. This book examines a wide variety of prose genres, from pornography to Bildungsroman to magic realism, as well as poetry.
Details
ISBN/GTIN978-3-03911-051-3
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2011
Erscheinungsdatum04.03.2011
Reihen-Nr.62
Seiten353 Seiten
SpracheEnglisch
Gewicht530 g
Artikel-Nr.16607801

Inhalt/Kritik

Inhaltsverzeichnis
Contents: Lorna Milne/Mary Orr: Introduction - Ian Higgins: A Void to Avoid a Void - Peter Read: Apollinaire s Voluptuous Calvary: Lexical Fields, Generic Conventions and Narrative Space in Les Onze mille verges - Michael Tilby: Céline, Invective and the Dismantling of Narrative: Casse-pipe - Michael Kelly: Mounier Multivocalist: Towards a Multiple Articulation of the French Experience of Black Africa - Robin MacKenzie: The Rhetoric of the Border in Julien Gracq s Le Rivage des Syrtes - Alan Morris: The Mémoires of Doctor Lamballe and Mister Swing Troubadour: Echoes of Vidocq and Robert Louis Stevenson in Patrick Modiano s La Ronde de nuit - Anne Chevalier : L Enfance perturbe et fertilise le récit dans la littérature française du vingtième siècle : l exemple de Chamoiseau - David Evans: On transporte avec soi une espèce de gouffre : Textual Spaces and Literary Heritage in Michel Houellebecq s Poésies - Mairi Maclean: Tournier and his Intellectual Milieu: Narratives of Modernity - Paul Gifford: Footprint in the Sand: Tournier s Re-Writing of Paul Valéry in Vendredi ou les limbes du Pacifique - Susan Bainbrigge: Terre d asile, terre d accueil : Explorations of the Robinsonade in Pierre Mertens s Terre d asile - Mary Orr: The Metamorphoses of Forms in Tournier s Roi des Aulnes and Pierrette Fleutiaux s Métamorphoses de la reine - Lorna Milne: Deep Space: A Sojourn in the Salt Mines with Michel Tournier and Marie Nimier - Alain Goulet : Les Nuits de Sylvie Germain et le pari de Pascal - Toby Garfitt: Sylvie Germain: Fable, Cri, Echolalia - Margaret-Anne Hutton: Is France Post Post-War? Judging the Nazi Past in Recent Novels by Maud Tabachnik, Michel Rio and Sylvie Germain - David Gascoigne: Publications.mehr
Kritik
"(...) the volume is not only a fine tribute to Gascoigne's work but also an important contribution to the current re-evaluation of twentieth-century French literary history, including the categories of modernism and postmodernism, and to our understanding of contemporary literature. In particular, by delineating what the editors call an 'aesthetic of ongoing connection' (p. 27), it provides valuable insights into the ongoing discussion on how to understand, after the heyday of the 'nouveau roman', the apparent return to old forms and the creative reuse of such forms in new contexts." (Hanna Meretoja, French Studies 66, 2012/2)mehr

Schlagworte

Autor

Lorna Milne is Professor of French at the University of St Andrews. She is the author of monographs on Michel Tournier and Patrick Chamoiseau, and works on modern and contemporary literature from metropolitan France and the Caribbean.
Mary Orr is Professor of French at the University of Southampton. Her most recent monographs are Intertextuality: Debates and Contexts (2003) and Flaubert´s Tentation: Remapping Nineteenth-Century Histories of Religion and Science (2008). She is currently working on the place and roles of women in early nineteenth-century European natural science and its writing.