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Arnheim, Gestalt and Art

A Psychological Theory - Book w. online files / update
BuchKartoniert, Paperback
188 Seiten
Englisch
Springererschienen am10.10.2005
Arnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR53,49
E-BookPDF1 - PDF WatermarkE-Book
EUR53,49

Produkt

KlappentextArnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim.
Details
ISBN/GTIN978-3-211-28864-1
ProduktartBuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2005
Erscheinungsdatum10.10.2005
Seiten188 Seiten
SpracheEnglisch
Gewicht342 g
IllustrationenVII, 188 p. 18 illus. With online files/update.
Artikel-Nr.12014263
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Inhalt/Kritik

Inhaltsverzeichnis
Why Arnheim? Why Gestalt?.- Arnheim and Different Approaches to the Psychology of Art.- Expression, Symbolism and Visual Thinking.- The Senses, Perceptual Objects and Their Dynamics.- The Notorious Gestalt Brain Model.- The Dynamics of Pictorial, Sculptural and Architectural Form.- The Dynamics of Pantomimic Form.- The Dynamics of Musical Form.- The Dynamics of Poetic Form.- Art in Comparative Perspective: Children, Adults, Cultures.- The Dynamics of Microgenetic Artistic Development.- Individual Artistic Development.- The Dynamics of Differential and Psychopathological Artistic Form.- The Dynamics of Cultural-Perceptual Artistic Form.- Objective Percepts, Objective Values.- Conclusion.mehr

Autor

The author is a professional art historian but began his career at the University of Michigan where he met Rudolf Arnheim. Subsequently he studied experimental psychology with Alain Gilchrist and then devoted himself to art history. Never losing his interest in psychology, he has cultiavated relationships with European psychologists whose works provide much of the impetus of this book. He has gone on to write several professional papers on the thinking of Arnheim, gestalt psychology, not to mention works on Rennaissance and Baroque painting and perspective theory, including editing a book on the art patronage of the Della Rovere Family, The Della Rovere: The Creation and Maintenance of a Noble Identity.