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Locating Nordic Noir

From Beck to The Bridge
BuchGebunden
313 Seiten
Englisch
Springererschienen am27.10.20171st ed. 2017
The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR128,39
BuchGebunden
EUR128,39
E-BookPDF1 - PDF WatermarkE-Book
EUR117,69

Produkt

KlappentextThe authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland.
Zusammenfassung
The first comprehensive history of contemporary Nordic Noir

Introduces the new method of location studies

Places Nordic television drama within a global world

Includes supplementary material: sn.pub/extras
Details
ISBN/GTIN978-3-319-59814-7
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2017
Erscheinungsdatum27.10.2017
Auflage1st ed. 2017
ReihePalgrave European Film and Media Studies
Seiten313 Seiten
SpracheEnglisch
Gewicht657 g
IllustrationenIX, 313 p. 8 illus., 6 illus. in color.
Artikel-Nr.42761114
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6. Beck and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen  - The Killing and DR´s Danish model.- 9. Norskov and Danish commercial public service drama.- 10. The Team, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original.- 12. Trapped and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.mehr
Kritik
"An important resource for scholars in multiple disciplines, the book brings together in one place a great deal of important information. ... The primary audience is those interested in television and film production: the book provides data and firsthand accounts and synthesizes that information into a persuasive narrative of development and forecast." (Rosemary Erickson Johnsen, Scandinavian Studies, Vol. 91 (3), 2019)mehr

Schlagworte

Autor

Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. His research has focussed on Scandinavian crime fiction, written and audio-visual, and media production studies with special attention towards relationships between local and global media. He has published extensively on crime fiction and Danish film and television.

Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.
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