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Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts

Previously published in hardcover
Book on DemandKartoniert, Paperback
138 Seiten
Englisch
Springererschienen am13.07.2018Softcover reprint of the original 1st ed. 2017
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry;mehr
Verfügbare Formate
BuchGebunden
EUR58,84
E-BookPDF1 - PDF WatermarkE-Book
EUR58,84
Book on DemandKartoniert, Paperback
EUR58,84

Produkt

KlappentextThis volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry;
Zusammenfassung
Focuses on the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry

Discusses Carthusian studies: fragmentary wall paintings in the Carthusian monastery near Coventry

Explores the devotional images in the Carthusian Miscellany and meditation for simple souls," rather than for a monastic audience
Details
ISBN/GTIN978-3-319-83745-1
ProduktartBook on Demand
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2018
Erscheinungsdatum13.07.2018
AuflageSoftcover reprint of the original 1st ed. 2017
Seiten138 Seiten
SpracheEnglisch
Gewicht202 g
IllustrationenIX, 138 p. 9 illus., 7 illus. in color.
Artikel-Nr.45665051

Inhalt/Kritik

Inhaltsverzeichnis
Preface.- 1. The Coventry Holy Trinity Doom Painting: Anticipating the End-Time.- 2. Image, Text, and Devotion in Carthusian Wall Painting, Manuscript Illumination, and Narrative.- Coda: Everyman: Participating in Symbols of Death.mehr

Autor

Clifford Davidson is Professor of English and Medieval Studies Emeritus at Western Michigan University. He has written voluminously on medieval drama, iconography and the visual arts, and medieval and early modern literature. He was director for a quarter century of the Early Drama, Art, and Music project in the Medieval Institute. His most recent book is Corpus Christi Plays at York: A Context for Religious Drama and, in collaborations with Martin Walsh and Ton Broos, an edition of Mary of Nemmegen, with the original Dutch play upon which it was based.