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Das Publikum macht die Musik

Musikleben in Berlin, London und Wien im 19. Jahrhundert. Habilitationsschrift
BuchGebunden
448 Seiten
Deutsch
Vandenhoeck & Ruprechterschienen am24.04.2014
Sven Oliver Müller has written a compact, fascinating and vivid account of all that is exciting and surprising in the history of musical culture. He tells the story of how social relations in the major metropolises of Berlin, London and Vienna were shaped, and in some cases created, by the musical events of the day. Operatic performances and concerts often assumed the form of "communication societies," and attending musical events provided important resources for managing or freshening up social, political and economic ties. This book represents a completely new look at the historical foundation of these events, bringing together the two subjects of history and music in a colorful and surprising work that will be of interest to readers from both disciplines.Sven Oliver Müller has written a compact, fascinating and vivid account of all that is exciting and surprising in the history of musical culture. He tells the story of how social relations in the major metropolises of Berlin, London and Vienna were shaped, and in some cases created, by the musical events of the day. Operatic performances and concerts often assumed the form of communication societies, and attending musical events provided important resources for managing or freshening up social, political and economic ties. This book represents a completely new look at the historical foundation of these events, bringing together the two subjects of history and music in a colorful and surprising work that will be of interest to readers from both disciplines.mehr
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Produkt

KlappentextSven Oliver Müller has written a compact, fascinating and vivid account of all that is exciting and surprising in the history of musical culture. He tells the story of how social relations in the major metropolises of Berlin, London and Vienna were shaped, and in some cases created, by the musical events of the day. Operatic performances and concerts often assumed the form of "communication societies," and attending musical events provided important resources for managing or freshening up social, political and economic ties. This book represents a completely new look at the historical foundation of these events, bringing together the two subjects of history and music in a colorful and surprising work that will be of interest to readers from both disciplines.Sven Oliver Müller has written a compact, fascinating and vivid account of all that is exciting and surprising in the history of musical culture. He tells the story of how social relations in the major metropolises of Berlin, London and Vienna were shaped, and in some cases created, by the musical events of the day. Operatic performances and concerts often assumed the form of communication societies, and attending musical events provided important resources for managing or freshening up social, political and economic ties. This book represents a completely new look at the historical foundation of these events, bringing together the two subjects of history and music in a colorful and surprising work that will be of interest to readers from both disciplines.
ZusammenfassungSven Oliver Müller zeigt mit seinem kompakten, unerhört spannend geschriebenen und anschaulichen Buch, dass die Geschichtswissenschaft in der Musikkultur Aufregendes und Überraschendes zu entdecken hat.

Sven Oliver Müller betritt Neuland in der Geschichtsforschung, indem er Geschichte und Musik zusammenzuführt.
Details
ISBN/GTIN978-3-525-30064-0
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2014
Erscheinungsdatum24.04.2014
Seiten448 Seiten
SpracheDeutsch
Gewicht860 g
Illustrationenmit 29 Abbildungen
Artikel-Nr.30660099
Rubriken

Inhalt/Kritik

Prolog
Sven Oliver Müller zeigt mit seinem kompakten, unerhört spannend geschriebenen und anschaulichen Buch, dass die Geschichtswissenschaft in der Musikkultur Aufregendes und Überraschendes zu entdecken hat.mehr

Schlagworte