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National Identity in Literary Translation

BuchGebunden
288 Seiten
Englisch
Peter Langerschienen am05.02.2020
This book is a collection of theoretical and empirical studies steering the reader through the intricacies of literary translation from the perspective of national identity. It offers a multifaceted view of the condition of the contemporary national identities and its linguistic transfer from different perspectives.mehr

Produkt

KlappentextThis book is a collection of theoretical and empirical studies steering the reader through the intricacies of literary translation from the perspective of national identity. It offers a multifaceted view of the condition of the contemporary national identities and its linguistic transfer from different perspectives.

Inhalt/Kritik

Inhaltsverzeichnis
Extreme Stylization as a Platform for Communicating Polish Identity: on the Example of Rendering Phraseology in the Swedish Translation of Witold Gombrowicz´s Trans-atlantyk (Ewa Data-Bukowska) - Chaosmic Identities: A Rhizomatic Approach to Literary Translation (Åukasz Barcinski) - Glossinged Otherness´: Glossaries in Polish Translations of Salman Rushdie´s Midnight´s Children and The Satanic Verses (Monika Browarczyk) Language and National Identity in Chinese Translations of Mark Twain´s Literary Works (Chu-chingHsu) - Taras Bulba in Ukrainian Garb: National Self-image in Translation (Oleksandr Kalnychenko / Nataliia Kalnychenko) - Newly Found Archives, or New Findings in Hryhoriy Kochur´s Correspondence with Eaghor Kostetzkyi (Mariya Kochur) - The Labor Camp Poetry Collection of Hryhoriy Kochur: Challenges for the Translator (Lada Kolomiyets) The Diversity of Polish Poetry in Hryhoriy Kochur´s Translations (Lesia Kondratiuk / Uliana Zhornokui) - Reception Multiplicity of W. Shakespeare´s Play King Lear´ in Ukrainian Literature: Ingratitude´ as the Key Motif of the Tragedy (Mariia Kravtsova) - Lost in Self-translation: The Case of Halide Edib and The Turkish Ordeal (Nur Zeynep Kürük) - Semiosphere of the Ukrainian Baroque: Translation Problems (Halyna Kuzenko) - American Horror Revisited: Ideology, Censorship and Propaganda of the People´s Republic of Poland and Polish Translations of Howard Phillips Lovecraft´s Prose (Arkadiusz Lubon) - Interpreting Sociocultural Stereotypes: Ukrainian Translation of Fitzgerald´s Books (Svitlana Lyubymova) - Flemish Identity in Translation. Georges Rodenbach and the Ambivalence of the Mythe Nordique´ (Jun Mita) - Translations of J. W. Goethe´s Faustin Ukraine and Anglophone World: Cultural Aspect (Yulia Naniak) - National Identity in Persian Translated Immigrant Literature (Fatemeh Parham) - Problems of Cultural Transference in the Translation of Drama (Nataliia Pasenchuk) - Linguo-stylistic Devices and Means in Translations and Original Works by Hryhoriy Kochur: Contrastive Approach (Halyna Pekhnyk) - Between the Self and the Other: Michael M. Naydan´s Novel Seven Signs of the Lion and Its Ukrainian Translation (Valentyna Savchyn) - The Image of Germany Transmitted by the Spanish Translations of Heinrich Heine´s Harzreise (Andrea Schäpers) - Your Wife Does Not Speak Much... Nation and Its Fragments in PaweÅ Huealle´s Short Stories of Post-war Gdansk (Maria Skakuj) - The Hutsul Speech in Paradjanov´s Shadows of Forgotten Ancestors and Its Rendering in the Russian and English Translations (Sergiy Sydorenko) - Do Lances Sing in Robert Mann´s Translation of The Tale of Ihor´s Campaign (Ruslana Sytar)mehr

Autor


Åukasz Barcinski is an assistant professor at the Institute of English Studies of the University of Rzeszów, Section of the Theory of Translation, Poland. He is also a translator of specialist and literary texts. The scope of his research includes postmodern, postcolonial, and experimental literature; performance studies; and poststructuralism.
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Barcinski, Lukasz