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TaschenbuchKartoniert, Paperback
316 Seiten
Englisch
ibidemerschienen am21.03.2022Auflage
African cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
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Produkt

KlappentextAfrican cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.
Zusatztext"This book is a significant contribution to the rich, though understudied, area of research on comedy in general, and stand-up comedy in particular, in the African continent. Keen on probing and describing the specific techniques adopted by African stand-up comedians, the book presents engaged and intimate readings of different traditions of performance, which are informed by a depth of theoretical and conceptual approaches to this artistic and cultural practice. The investigation highlights the ample diversity of African stand-up comedy practice, not only in terms of geographical locations (which are as wide apart areas as South Africa and Egypt), but also through the inclusion of diverse media of representation such as live performances, satellite channels, and YouTube, and the investigation of various modes of performance ranging between one-person and multi-person performances, and scripted and non-scripted shows. This combination of vastness and depth produces valuable insights into people s attempts to grapple with their realities, make sense of the world they live in, and carve out spaces for expression, representation and visibility."-Randa Aboubakr, Professor of English and Comparative Literature, Cairo University, Egypt
Details
ISBN/GTIN978-3-8382-1608-9
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2022
Erscheinungsdatum21.03.2022
AuflageAuflage
Seiten316 Seiten
SpracheEnglisch
Gewicht412 g
Artikel-Nr.50441276

Inhalt/Kritik

Inhaltsverzeichnis
Foreword by Ebenezer Obadare; Introduction; Old Wine in a New Bottle: Stand-up Comedy and its Dispersal across Africa; Confronting Racism and Colonialism in Cécile Djungas and Trevor Noahs Stand-up Comedy; South African Vernacular Stand-Up Comedy as Performative Resistance; The Peoples Joker: The Popularity of Mr Jokes Stand-up Comedy in Malawi; Resisting Shame and the Male Gaze: Humour Evocations in the Acts of Noha Kato and Real Warri Pikin; Discourse and Humour Strategies in Two-Person Stand-up Art in Nigeria; In the Shadow of the 1994 Genocide: Arthur Nkusi and Stand-up Comedy in Rwanda; The Afterlife of Ugandan Stand-up Comedy: Examining the Multiple Roles and Jocular Devices of Teacher Mpamire; Scripted and Non-Scripted Humour in Stand-up Comedy: Techniques of Egypts Comedian Ali Quandil; Reinventing Taboo in Kenyan Stand-up Comedy; Africa on the British Stage: Laughter-Making Mechanics of Andi Osho and Daliso Chaponda; Theres No Such Thing as Too Soon Here: Taking Stock of South Africas Comedy Boom; The Many-Sides of Kenyan Stand-up Comedy: A Stylistic Interrogation of the Acts of Jemutai, Professor Hamo and Oga Obinna; Nigerias The Mock News with Pararan: The Poetics of its Punchline; About the Contributors; Endorsements.mehr
Kritik
"By way of nuanced analyses of comic performances drawn from diverse national and cultural backgrounds this volume reveals in rich and fascinating detail the immense popularity of stand-up comedy in Africa. A must-read for anyone who wants to learn more about how jokes are staged, how mimicry is fused with mockery, and about what and why audiences laugh (not only) in Africa."-Professor Matthias Krings, Johannes Gutenberg University, Mainzmehr

Autor

IIzuu Nwankw is a researcher, teacher, and writer. He translated Chinua Achebe's Things Fall into the Igbo language: Ihe Aghasaa (2007) and authored the books Yabbing and Wording: The Artistry of Nigerian Stand-up Comedy and Humour and Politics in Africa (co-authored with Daniel Hammett and Laura S. Martin).
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