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The Limbourg Brothers

Reflections on the Origins and the Legacy of Three Illuminators from Nijmegen
BuchGebunden
224 Seiten
Englisch
Brillerschienen am25.03.2009
In 2005, Museum Het Valkhof in Nijmegen presented the exhibition The Limbourg Brothers. The exhibition formed an excellent opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two day conference. This title presents the conference papers delivered by some of the leading scholars in the field.mehr

Produkt

KlappentextIn 2005, Museum Het Valkhof in Nijmegen presented the exhibition The Limbourg Brothers. The exhibition formed an excellent opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two day conference. This title presents the conference papers delivered by some of the leading scholars in the field.
Details
ISBN/GTIN978-90-04-17512-9
ProduktartBuch
EinbandartGebunden
FormatUngenäht / geklebt
Verlag
Erscheinungsjahr2009
Erscheinungsdatum25.03.2009
Seiten224 Seiten
SpracheEnglisch
MasseBreite 163 mm, Höhe 241 mm, Dicke 20 mm
Gewicht658 g
Artikel-Nr.14796810

Inhalt/Kritik

Inhaltsverzeichnis
Rob Dückers & Pieter Roelofs - Introduction: The Homecoming of the Limbourg BrothersVictor M. Schmidt, Some Portraits by Johan Maelwael, Painter of the Dukesof BurgundyMargaret Lawson, The Belles Heures of Jean de France, Duke of Berry Manuscript and the Question of the Artists´ Hands´Stephen Perkinson, Likeness, Loyalty, and the Life of the Court Artist: Portraiture in the Calendar Scenes of the Très Riches HeuresHanneke van Asperen, A Pilgrim´s Additions. Traces of Pilgrimage in the Belles Heures of Jean de BerryEberhard König, Was kann man aus den Belles Heures über die Limburgs lernen? Eine nun gut bekannte HandschriftHerman Th. Colenbrander, Guelders-France. Another Connection around 1400Rob Dückers, A Close Encounter? The Limbourg Brothers and Illumination in the Northern Netherlands in the First Half of the Fifteenth CenturyGregory T. Clark, The Master of Guillebert de Mets, Philip the Good, and the Breviary of John the FearlessNotes on Contributorsmehr

Autor

Rob Dückers (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen and Codicology at
Leiden University. He specializes in medieval codices and in ecclesiastical art, publishing regularly in both fields. He
was co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'. Dückers is
attached to Emerson College European Center and to the treasury at the Basilica of Saint Servatius in Maastricht.

Pieter Roelofs (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen. He has been
Curator of Seventeenth Century Dutch Painting at the Rijksmuseum Amsterdam since 2006. Roelofs has been involved in a
variety of exhibitions in the Netherlands and abroad and has published on a wide range of art-historical themes. In 2005 he was project manager and co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'.
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