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Japanese Art - Transcultural Perspectives

BuchGebunden
420 Seiten
Englisch
Brillerscheint am28.11.2024
This volume offers fresh, challenging perspectives on Japanese art using the transcultural as an analytical framework. Its twenty-two case studies bring to light the transformative agency of multi-directional cultural flows in the creation, circulation, and interpretation of Japanese art from ancient to modern times.mehr

Produkt

KlappentextThis volume offers fresh, challenging perspectives on Japanese art using the transcultural as an analytical framework. Its twenty-two case studies bring to light the transformative agency of multi-directional cultural flows in the creation, circulation, and interpretation of Japanese art from ancient to modern times.
Details
ISBN/GTIN978-90-04-33770-1
ProduktartBuch
EinbandartGebunden
FormatGenäht
Verlag
Erscheinungsjahr2024
Erscheinungsdatum28.11.2024
Seiten420 Seiten
SpracheEnglisch
Artikel-Nr.61704260
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
AcknowledgmentsList of FiguresList of TablesNotes on ContributorsNotes to ReaderJapanese Art: Transcultural PerspectivesâMelanie Trede, Mio Wakita and ChristineM.E. GuthPart1 Methodologies, Texts, and DiscoursesCommentaryâMonica Juneja1 The Origin of Species and the Rise of World Art History: Ernst Grosse´s Encounter with the Beginnings of ArtâIngeborg Reichle2 Inverting the Cultural Order: NaitÅ Konan and East Asian Art HistoryâTamaki Maeda3 Artifactual Hybridity and the Dynamics of Global IntegrationâChristineM.E. Guth4 A View of the Avant-Garde from Postwar Japanese CalligraphyâEugenia Bogdanova-Kummer5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in JapanâReiko TomiiPart2 Images, Imaginations, and Visions: Japan and BeyondCommentaryâBernd Schneidmüller6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective DimensionâMichio Hayashi7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century JapanâRadu Leca8 Japan, Cartography, and the Art of World-MakingâD.Max Moerman9 The World of Mount Sumeru Diagrams: Representations and DiscoursesâKomine KazuakiPart3 Artifacts and MaterialitiesCommentaryâCraig Clunas10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji PeriodâMaezaki Shinya11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-eâHidaka Kaori with Sono Yuan Werhahn12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s ShanghaiâLai Yu-chih13 Asahi Gyokuzan: Defining Sculpture in an Age of ChangeâMartha Chaiklin14 Gao Jianfu´s Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele SchoolâAidaYuen Wong15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir PhotographyâMio Wakita16 A World Somewhere between the New World and AsiaâSofía SanabraisPart4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural FieldsCommentaryâNoriko Murai17 Comparing East and West: The Collections of Enrico CernuschiâSilvia Davoli18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of Fine Arts in Europe and Bijutsu in JapanâYamanashi Emiko19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)âDoris Croissant20 An Evolving Appreciation of Japanese Premodern Art The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in BerlinâYasumatsu Miyuki21 Exhibiting Manga, Representing Japan âJaqueline Berndt22 Ganbare, Nippon: Curator´s Notes for the Japan Pavilion at the Venice Biennale-A Map of the WorldâKuraya MikaIndexmehr