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The Persistence of Voice: Instrumental Music and Romantic Orality

BuchGebunden
302 Seiten
Englisch
Brillerschienen am20.07.2017
Neubauer analyses the importance which nineteenth-century European composers, music critics and intellectuals attached to oral-vernacular speech.mehr

Produkt

KlappentextNeubauer analyses the importance which nineteenth-century European composers, music critics and intellectuals attached to oral-vernacular speech.
Details
ISBN/GTIN978-90-04-34335-1
ProduktartBuch
EinbandartGebunden
FormatGenäht
Verlag
Erscheinungsjahr2017
Erscheinungsdatum20.07.2017
Seiten302 Seiten
SpracheEnglisch
MasseBreite 236 mm, Höhe 160 mm, Dicke 23 mm
Gewicht567 g
Artikel-Nr.42098334

Inhalt/Kritik

Inhaltsverzeichnis
PrefaceWords of ThanksList of AbbreviationsList of IllustrationsIntroductionâRetelling the FifthâAbsolute or Emancipated Music?âPart 1: The New DiscoursesâPart 2: Romantic OralityPart 1: New Discourses about MusicIntroduction to Part 11 The Music JournalsââAllgemeine Musikalische Zeitung (amz)ââFriedrich RochlitzââGottfried Wilhelm Fink âA.B. Marx and the Berliner allgemeine musikalische Zeitung (bamz)âRevue et Gazette musicale de Paris (rgm) ââMaurice SchlesingerââJules JaninââHector BerliozâNeue Zeitschrift für Musik (NZfM)2 From Poetry to Music NovelsâGulden/Fiorino, Hildegard von Hohental, Heinrich vonâOfterdingenâLe neveu de RameauâHegel´s Spiritâ Ritter Gluck 3 Failing Musicians, Failed EducationâThe Berglinger StoriesâMiseducation or Music Madnessââ Der Besuch im Irrenhause (1804)ââ Der arme Spielmann 4 Serialized NovellasâHoffmann in GermanyâHoffmann in France and in FictionââJanin´s HoffmannâOpera FictionââOpera in Balzac´s Gambara and Massimilla Doni âHistorical Musicians in Fiction5 Narrating Listeners, Narrating InstrumentsâListeners NarrateâInstruments NarrateâBerliozââ Harold en Italie (1834)ââRoméo et Juliette (1839)âSchumannPart 2: Romantic Orality6 From Journals to BattlesâBattle Drums at Dresden, Leipzig, and WellingtonâWaltzing in Vienna7 Music Histories: From Gossip to NationalismâAnecdotes, Gossip, and ObituariesââStendhal - A Biographer?âVoice and Instruments in HistoryâThibaut´s Musical Past and Legal PresentââSchumann and ThibautâF.-J. Fétis: The Glory of the Low Countries?8 Speech and SongâMichel FoucaultâFriedrich Schlegel and Franz BoppâWilhelm von HumboldtâJohann Christoph AdelungâThe Mother´s Voice and PestalozziââDer goldene Topf9 Vocal Authenticity?âOssianismââHerder on OssianâForgeries, Opera Adapations, Plagiarisms, and CopyrightsâAuthentic Folk Songs?ââWhose Wunderhorn?10 Write as You Speak - in SerbianâKopitar, the NetworkerâKaradzic, the Voice of the Volk âJacob Grimm, the PatronâFauriel, the ProfessorâParry and Bartók: Secondary Orality11 Contrafacts from the British IslesâScott (Re)turns to UlsterâByron on Jordan´s BanksâSchumann as Saul12 Vernacular OperasEpilogueReferencesIndexmehr

Autor

John Neubauer (Budapest 1933 - Amsterdam 2015) was Professor of Comparative Literature at the University of Amsterdam. Among his works are The Emancipation of Music from Language (1986), The Fin-de-siècle Culture of Adolescence (1992) and the four-volume History of the Literary Cultures of East-Central Europe (4 vols., ed. w. M. Cornis-Pope, 2004-10).