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The Texture of Images

The Relic Book in Late-Medieval Religiosity and Early Modern Aesthetics
BuchGebunden
550 Seiten
Englisch
Brillerschienen am11.12.2020
Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.mehr

Produkt

KlappentextTextures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.
Details
ISBN/GTIN978-90-04-40448-9
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2020
Erscheinungsdatum11.12.2020
Seiten550 Seiten
SpracheEnglisch
Gewicht1018 g
Artikel-Nr.56551834
Rubriken
GenreWirtschaft

Inhalt/Kritik

Inhaltsverzeichnis
âPreface to the English EditionâAcknowledgementsâTranslator´s NoteâKey German TermsâList of IllustrationsâAbbreviationsâIntroductionâ1 Relic Books: Issues of Genre and Classificationâ2 The State of Scholarshipâ3 The Aims of This StudyPart 1: The Diversification of the Genre1 Mimesis as Politicsâ1 The Title Page of the Nuremberg Relic Bookâ2 The Introductory Textâ3 Processional Sections and Epilogueâ4 The Organization of the Bookâ5 Hans Mair´s New Edition of 1493: Commission or Free Enterprise?â6 Excursus: The Manuscript of 1458â7 The Book as Pictogram of the Cityâ8 The Motivation of the Book´s Commissionersâ9 The Self-privileging of the Citizens2 Competition between Cities and Printersâ1 The Basic Type and Layout of the Bamberg Relic Bookâ2 Competition between Citiesâ3 Competition between Printers3 Speculating on Similarityâ1 The Preface of the Würzburg Relic Bookâ2 The Sequence of the Relics: An Open Problem?â3 Speculating on Similarity in the Text: The Copied Intercessory Prayersâ4 Speculating on Similarity in the Imageâ5 Hans Mair: Printer in His Own Name4 Familiar Means - New Pietyâ1 Preface and the Calendar of Indulgencesâ2 The Location of the Eventâ3 Is Clearly Displayed in Image and Word â4 The Martyrdom of Saint Stephenâ5 The Saint´s Martyrdom and the Reader´s Own Deathâ6 From Didactics to Endowmentâ7 One Step Forward, Two Steps Back: The New Title Page5 Aesthetic Enhancementâ1 Lucas Cranach: The Art of Court and Bookâ2 The Wittenberg Relic Bookâ3 Shifting Statements: A Comparison between the B-Edition and the A-Editionâ4 Model, Copy and Aesthetic Sublimationâ5 Functional Aspects6 The Relic Book as Stage Mask: The Media Staging of Social Climbing and the Accumulation of Salvation â1 The Commissioner of the Manuscriptâ2 The Starting Point for the Endowmentâ3 The Structure of the Manuscriptâ4 Reference Values7 Troy, Rome, Halle: History and Genealogyâ1 The Artists of the Halle Relic Bookâ2 Exquisitely Archaic or Exclusive: The Title Pageâ3 Troy, Rome, Halle: Albrecht Dürer´s Engravingâ4 The Donors Are in the Picture: Portraits and Coats of Arms - The Beginning and the Endâ5 The Introductionâ6 The Organization of the Bookâ7 Fidelity to and Distance from the Object: Strategies of Realizationâ8 The Fine Art of TrumpingPart 2: Synthesis of a Genre8 The Mediality of the Relic Bookâ1 diser maß und gestalt : Text and Realityâ2 Autonomy and Aesthetics of Reproductionâ3 Analogy versus Genealogy: The Relic Book as Precursor of Collection and Exhibition Catalogues9 The Texture of the Bookâ1 The Realm of Possibilities: Social Compensation, Didactics, Memorial Object and Objet d´artâ2 The Image as Genuine Narrativeâ3 Interaction of Image and Textâ4 The Commissioners of Relic Booksâ5 The Book as Realm of Pietyâ6 The Book as Realm of Medialityâ7 TextureâAppendix 1 Catalogue of Relic BooksâAppendix 2 Bamberg Relic Books: Comparison of Distribution and Number of Reliquaries in All EditionsâAppendix 3 Bamberg Relic Books: Comparison of the Emendations in the Editions by Hans Mair, 1493/1495âAppendix 4 Würzburg Relic Book: List of New Woodcuts âAppendix 5 Wittenberg Relic Book: Changes between Edition A and Edition BâAppendix 6 Vienna and Hall Relic Books: Comparison of Liturgical ChantsâAppendix 7 Hall Relic Book: Index of Headings âAppendix 8 Hall Relic Book: Distribution of Woodcuts in the ManuscriptâAppendix 9 Libellus demonstrativus (c. 1517)âAppendix 10 Indulgentiae ecclesiae metropolitanae MagdeburgensisâBibliographyâIndexmehr
Kritik
"This book should be of great interest to book historians, art historians, and others interested in the thought and art of the late medieval and early Reformation period."
John L. Flood, University of London. In: The Library, 7.22.3 (September 2021), pp. 390-392.mehr