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Music of the Baduy People of Western Java

Singing Is a Medicine
BuchGebunden
424 Seiten
Englisch
Brillerschienen am17.12.2020
In Music of the Baduy People of Western Java Wim van Zanten describes the music and dance of the ethnic minority group of the Baduy, who try to live an ascetic life in western Java according to the ancestral rules.mehr

Produkt

KlappentextIn Music of the Baduy People of Western Java Wim van Zanten describes the music and dance of the ethnic minority group of the Baduy, who try to live an ascetic life in western Java according to the ancestral rules.
Details
ISBN/GTIN978-90-04-42440-1
ProduktartBuch
EinbandartGebunden
FormatGenäht
Verlag
Erscheinungsjahr2020
Erscheinungsdatum17.12.2020
Seiten424 Seiten
SpracheEnglisch
Gewicht831 g
Artikel-Nr.56667068

Inhalt/Kritik

Inhaltsverzeichnis
PrefaceOrthographyList of IllustrationsAudio-Visual Examples (AV) and Music Transcriptions (Tr)1 Introduction1.1âThe Baduy People of Kanékés Village and Their Music and Danceâ1.1.1âThe Name of the Indigenous Group1.2âOverview of Baduy Music and Dance1.3âOutline of the Book2 Social Organization and Economic Situation2.1âSocio-Political Organization and Major Spiritual and Secular Officials2.2âDangka Hamlets and Their Role in the Delineation of Baduy Culture2.3âAgricultural Land, Non-Irrigated Fields and Religion2.4âRelations with Indonesian Authorities and Cultural Tourism2.4.1âHand Phones2.4.2âSéba2.5 Non-Governmental Organisations: Trust, Social Justice and Environment2.6 Weaving, Clothes and Production of Textiles for Sale2.7 Production of Other Goods2.7.1âPalm Sugar (gula kawung)2.7.2âKnives3 Methodological Issues and Theoretical Starting Points3.1 Historical Sources and Earlier Publications on Music and Dance3.2 Restrictions for Researchers and Other Methodological Issues3.3 Visits to the Holy Places in Kanékés between 1822 and 19313.3.1âBlume (1822)3.3.2âVan Hoëvell (1845)3.3.3âKoorders (1864)3.3.4âCriticism by Jacobs and Meijer (1891) and Pennings (1902)3.3.5âKoolhoven (1931)3.3.6âVan Tricht (1928)3.4âFieldwork Periods Present Author3.5âSome Theoretical Issues and Definitions4 Seasons for Music and Major Rituals4.1âAgricultural Calendar and Musical Seasons4.2âAngklung Music for the Engagement Ritual of the Goddess of Rice4.3âCircumcisions and Weddings4.4âCircumcision in Kadujangkung4.5âCircumcision in Cicakal Leuwi Buleud4.6âWeddings and Other Rituals; Some General Observations5 Tone Systems, angklung, keromong, Dancing and Gender Aspects5.1âGeneral Musical Concepts: Tone Systems, Modes and Styles of Playingâ5.1.1âTranscription of Music for Analysisâ5.1.2âTone Systems5.2âAngklung for Rituals and for Entertainment5.3âKeromong (gamelan)5.4âThe History of a Baduy Gamelan between 1976 and 20195.4.1âCommentary5.5âDancing5.6âGender Aspects and Gendék Ceremonial Pounding of Rice5.6.1âMusicians and Gender5.6.2âGendék6 Carita Pantun Storytelling6.1âBaduy Oral Literature in the Larger Sundanese Context6.2âBaduy Pantun Stories6.3âPantun Texts and Audio-Visual Recordings since 19056.4âOwn Recordings and Observations of pantun Storytellersâ6.4.1âDirection that the Pantun Performer Should Be Facing6.5âRecited Text and Performing Aspects of pantun Recitation7 Song Texts in Music for Entertainment7.1âEarlier Publications of Song Texts7.2âFormal Aspects of the Song Texts7.3âSong Texts Used in Performance by Female Singer Raidah in 2003â7.3.1âKidung Rahayuâ7.3.2âTepang Sonoâ7.3.3âDaun Hirisâ7.3.4âJalanâ7.3.5âGunjaér Mundurâ7.3.6âKacang Asinâ7.3.7âBayu-Bayuâ7.3.8âPoho Kabalikâ7.3.9âKapergokâ7.3.10âDaun Puspaâ7.3.11âUcing-Ucingan7.4âMajor Themes in Other Song Textsâ7.4.1âMoral Adviceâ7.4.2âHurt by Outsidersâ7.4.3âDirty Wordsâ7.4.4âReferences to Music and Danceâ7.4.5âFalse Instruments and Social Order8 Wind, String and Other Instruments8.1âKumbang Flute8.2âTarawélét Flute8.3âLamus Flute and Elét8.3.1âElét8.4 String Instruments8.4.1âKacapi Pantun8.4.2âSiter and Falsetto Voice8.4.3âRendo8.4.4âViol8.4.5âRebab8.5 Xylophones and Jew´s Harp8.5.1âGambang or Gambang Kayu8.5.2âCalung8.5.3âKarindingConcluding Remarks9.1âNegotiating Rules and Mutual Respectâ9.1.1âThe 2003 unesco Convention on Living Culture9.2âSafeguarding, Cultural Tourism and Future ResearchAppendix 1 A Map of Kanékés and a List of Its HamletsAppendix 2 The Baduy CalendarAppendix 3 List of People Interviewed and/or RecordedAppendix 4 Song Texts for EntertainmentGlossaryReferencesIndexmehr

Autor

Wim van Zanten (1942) obtained his PhD from Leiden University in 1987. He has published on the music of Malawi, Africa, and West Java, Indonesia, including 'Sundanese music in the Cianjuran style' (Foris, Verhandelingen 140, 1989).
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