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Neorealist Film Culture, 1945-1954

Rome, Open Cinema
BuchGebunden
384 Seiten
Englisch
Amsterdam University Presserschienen am09.12.2019
The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance.mehr
Verfügbare Formate
BuchGebunden
EUR162,50

Produkt

KlappentextThe volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance.
Details
ISBN/GTIN978-90-8964-800-6
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2019
Erscheinungsdatum09.12.2019
Seiten384 Seiten
SpracheEnglisch
MasseBreite 260 mm, Höhe 286 mm, Dicke 25 mm
Gewicht742 g
Artikel-Nr.54020824

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgements Introduction An Uncertain Direction. Neorealist cinema as Transitional Culture 1 Locating the Real. National, International, and Transnational Neorealism 1.1 An Address to the Audience 1.2 The Real Thing 1.3 Wasteland. Neorealism and National Identity 1.4 A New Land? National Territory and Ethnos 1.5 Controversial Screens. Neorealism, People, Media 1.6 Teaching in the Middle of the Ruins. International Neorealism 1.7 Strangers on the Prowl. Transnational Neorealism 1.8 Culture and Cultures. Reconsidering Neorealism as a National Cinema 2 Lies of Memory. Post-war Culture, Remembrance, and Documentary Filmmaking 2.1 Displaced Memories 2.2 Memory Frames. Michelangelo Antonioni's Early Documentaries 2.3 Recurring Interruptions. Post-war Documentary, War Memories and Trauma 2.4 Inspecting the Frames 3 Looking at the Images. Neorealist Visual Culture 3.1 Neorealism as a Scopic Regime 3.2 The Bill Sticker and the Posters. Film Ads and Visual Culture 3.3 The Earth Trembles at the Grand Hotel. Neorealist Photo-romances 3.4 Still Lives. Neorealist Photo-documentaries 3.5 At the Film's Margins 4 Actors, Non-professional Actors, Starlets, and Stars. Film Performance at the Time of Neorealism 4.1 A Stroll by the Sea 4.2 Life Begins Anew. Non-professional Performers and Neorealist Culture 4.3 We, the Humans. Non-professional Performers and Neorealist Representation 4.4 Ladies Without Camelias. Post-war Feminine Stardom 4.5 The Show Must Go On. Professional Performers and Neorealist Cinema 4.6 Cries, Laughs, and Songs. Anna Magnani in Transition 4.7 The Body of the Multitude Bibliography Index of Film Titles Index of Names Index of Illustrationsmehr

Autor

Francesco Pitassio is professor of Film Studies at the Department of Humanities and Cultural Heritage of the University of Udine. His research interests revolve around film acting and stardom, Italian film history and culture, documentary cinema, European cinema. He is a member of the editorial board of NECSUS European Journal of Media Studies.