Produkt
KlappentextDas Streichquartett gilt gemeinhin als die Kammermusikgattung der Klassik schlechthin: Erfunden von Haydn, zusammen mit Mozart weiterentwickelt und von Beethoven bereits zu ihrem Höhepunkt gebracht. Alle Quartette späterer Komponisten mussten sich an den Werken dieser drei Meister messen lassen. Das gilt auch und in besonderem Maße für Mendelssohn, der immer wieder als "klassischer Romantiker" apostrophiert wurde. Vor allem seinem Quartett in a-moll op. 13 werden starke Beethoven'sche Züge nachgesagt. Es entstand im Spätsommer und Herbst 1827, kurz nachdem die späten Quartette Beethovens im Druck erschienen und sicher auch Mendelssohn bekannt geworden waren. Zwei Jahre später, während Mendelssohns erster Englandreise, entstand das Quartett in Es-dur op. 12.
Eine textgleiche Partitur der beiden Quartette ist in der Reihe der Studien-Editionen (HN 9270) erschienen.The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a "classical romantic." His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven's late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn's first tour of England. A textually identical score of the two quartets is published in Henle's Study Scores series (HN 9270).
Eine textgleiche Partitur der beiden Quartette ist in der Reihe der Studien-Editionen (HN 9270) erschienen.The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a "classical romantic." His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven's late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn's first tour of England. A textually identical score of the two quartets is published in Henle's Study Scores series (HN 9270).
Details
ISBN/GTIN979-0-2018-0270-1
ProduktartMusikalien
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2000
Erscheinungsdatum01.01.2000
Seiten118 Seiten
SpracheEnglisch
IllustrationenNoten.
Artikel-Nr.11776973
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