Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
TaschenbuchKartoniert, Paperback
960 Seiten
Englisch
Oxford University Presserschienen am11.05.2023
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. This volume provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life.mehr
Verfügbare Formate
BuchGebunden
EUR158,50
TaschenbuchKartoniert, Paperback
EUR42,50
E-BookEPUBDRM AdobeE-Book
EUR95,99
E-BookPDFDRM AdobeE-Book
EUR33,49

Produkt

KlappentextRussia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. This volume provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life.
Details
ISBN/GTIN978-0-19-286403-1
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr2023
Erscheinungsdatum11.05.2023
Seiten960 Seiten
SpracheEnglisch
MasseBreite 172 mm, Höhe 247 mm, Dicke 63 mm
Gewicht1298 g
Artikel-Nr.59572875

Inhalt/Kritik

Inhaltsverzeichnis
PART I. THE MEDIEVAL PERIODInstitutions and contexts: writing and authorship, 1100-1400Holy Russia: landmarks in medieval literatureLocal narrativesPART II. THE EARLY MODERN: THE SEVENTEENTH CENTURYParadise Lost: National narrativesCultural interface: printing, Humanist learning and Orthodox resistance in the second half of the seventeenth centuryCourt theaterPoetsProsePART III. THE EIGHTEENTH CENTURYDefining Classicism: the canons of tasteInstitutions of writing and authorshipNational narrativesPoetics and subjectivities between Classicism and RomanticismProse fictionPART IV. THE NINETEENTH CENTURYInstitutionsThe Literary Field: from amateur societies to professional institutions and literary alliancesSubjectivitiesForms of ProseLiterary identity and social structure of the Imperial periodTypes: Heroes and anti-heroesHeroines and emancipationNarratives of nation-buildingPART V. THE TWENTIETH AND TWENTY-FIRST CENTURIESInstitutionsThe Poetics of SubjectivityThe Poetics of LanguageProse and Drama: negotiations with historyCatastrophic narrativesIntelligentsia narrativesmehr

Autor

Andrew Kahn is Professor of Russian Literature at the University of Oxford. He is the author and editor of several books on the Russian eighteenth-century and Alexander Pushkin, including Pushkin's Lyric Intelligence (2008). He has published widely on the Russian eighteenth-century and history of ideas, and is the author of many articles on twentieth-century Russian poetry. In the Oxford World's Classics he has edited and introduced Pushkin's Queen of Spades and Other Stories (1997), Montesquieu's Persian Letters (2008), Lermontov's Hero of Our Time (2013), and Tolstoy's Death of Ivan Ilyich and Other Stories (2015).

Mark Lipovetsky is Professor of Russian Studies at the University of Colorado at Boulder. He is the author of seven books on Russian literature and culture including Russian Postmodernist Fiction: Dialogue with Chaos (1999), Paralogies: Transformations of the (Post)Modernist Discourse in Russian Culture of the 1920s-2000s (2008), and Performing Violence: Literary and Theatrical Experiments of New Russian Drama (with Birgit Beumers; 2009). He co-edited the Dictionary of Literary Biography: Russian Writers Since 1980 (2003), Politicizing Magic: An Anthology of Russian and Soviet Fairy Tales (2005), Veselye chelovechki: Cult Heroes of Soviet Childhood (2008), and A Non-Canonical Classic: D. A. Prigov (2010), Charms of Cynical Reason: The Trickster's Transformations in Soviet and post-Soviet Culture (2011), and edited (with Evgeny Dobrenko) Russian Literature since 1991 (2015).

Irina Reyfman is Professor of Russian Language and Literature at Columbia University. In her studies, Reyfman focuses on the interaction of literature and culture, examining both how literature reacts to cultural phenomena and how it contributes to the formation of cultural biases and forms of behavior. Reyfman is the author of How Russia Learned to Write: Literature and the Imperial Table of Ranks (2016), Vasilii Trediakovsky: The Fool of the `New' Russian Literature (1990), and Ritualized Violence Russian Style: The Duel in Russian Culture and Literature (1999); the latter book also appeared in Russian (2002). She is also a co-editor (with Catherine T. Nepomnyashchy and Hilde Hoogenboom) of Mapping the Feminine: Russian Women and Cultural Difference (2008).

Stephanie Sandler is the Ernest E. Monrad Professor of Slavic Languages and Literatures at Harvard University. She has written on Pushkin and on the legends surrounding him in Russian culture, including Distant Pleasures: Alexander Pushkin and the Writing of Exile (1989) and Commemorating Pushkin: Russia's Myth of a National Poet (2004). Other interests include ideas of selfhood and identity in Russian literature and film, which led to an edited volume, Self and Story in Russian History (2000, with Laura Engelstein); and questions of sex and gender, subject of another edited volume, Sexuality and the Body in Russian Culture (1993, 1998, with Jane Costlow and Judith Vowles). She has edited a pioneering collection of essays on the contemporary Moscow poet Olga Sedakova, published in Russia in 2017 and due out in English with Madison University Press. Her current work is on contemporary Russian poetry, and she has been translating several poets.