Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

Miriam Hansen

Cinema, Experience, and the Public Sphere
TaschenbuchKartoniert, Paperback
208 Seiten
Englisch
Duke University Presserschienen am24.07.2014
This issue is dedicated to the thought and writing of Miriam Hansen, whose contributions broke ground in film history, film theory, and the politics of mass culture and the public sphere.  The collection focuses on the areas in which she was most influential: early cinema, its reception, and the legacy of vernacular modernism, including essays touching on the concept´s impact on contemporary thinking about Russian and Chinese cinemas. The issue also features extensive commentary on Hansen´s pioneering book Cinema and Experience, expanding on the book´s inquiry into the continuing legacy of the Frankfurt School.mehr

Produkt

KlappentextThis issue is dedicated to the thought and writing of Miriam Hansen, whose contributions broke ground in film history, film theory, and the politics of mass culture and the public sphere.  The collection focuses on the areas in which she was most influential: early cinema, its reception, and the legacy of vernacular modernism, including essays touching on the concept´s impact on contemporary thinking about Russian and Chinese cinemas. The issue also features extensive commentary on Hansen´s pioneering book Cinema and Experience, expanding on the book´s inquiry into the continuing legacy of the Frankfurt School.
Details
ISBN/GTIN978-0-8223-6815-1
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr2014
Erscheinungsdatum24.07.2014
Seiten208 Seiten
SpracheEnglisch
MasseBreite 151 mm, Höhe 228 mm, Dicke 15 mm
Gewicht285 g
Artikel-Nr.32811141

Inhalt/Kritik

Inhaltsverzeichnis
David Bathrick, Andreas Huyssen, and Eric Rentschler - Introduction Dossier on Cinema and ExperienceHeide Schlupmann - History: From "The Other Frankfurt School" to Cinema and ExperienceSusan Buck-Morss - Scholarship Becomes Theory: Learning from Miriam HansenAnton Kaes - The Future of the PastEdward Dimendberg - The Fish That Knew WaterD. N. Rodowick - Subjects without SkinLaura Mulvey - The Striking of the HourEric Rentschler - Cinema and the Legacies of Critical Theory: Roundtable DiscussionGertrud Koch and Simon Rothohler - Redemptive Criticism: A Conversation with Gertrud Koch ArticlesTom Gunning - Miriam Hansen's Preface and Epilogue: Mourning and MediaYuri Tsivian - Talking to Miriam: Soviet Americanitis and the Vernacular Modernism ThesisDaniel Morgan - "Play with Danger": Vernacular Modernism and the Problem of CriticismPamela Wojcik - Vernacular Modernism as Child's PlayGertrud Koch - Film as Experiment in Animation: Are Films Experiments on Human Beings?Mary Ann Doane - Facing a Universal LanguageKatharina Loew - The Spirit of Technology: Early German Thinking about FilmBill Brown - The Work of Play: Experiencing CinemaMartin Jay - The Little Shopgirls Enter the Public SphereWeihong Bao - "A Vibrating Art in the Air": Cinema, Ether, and Propaganda Film Theory in Wartime ChongqingSabine Haenni - Intellectual Promiscuity: Cultural History in the Age of the Cinema, the Network, and the Databasemehr

Autor