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Assuming the Ecosexual Position

The Earth as Lover
TaschenbuchKartoniert, Paperback
256 Seiten
Englisch
University of Minnesota Presserschienen am17.08.2021
The story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth  What´s sexy about saving the planet? Funny you should ask. Because that is precisely-or, perhaps, broadly-what Annie Sprinkle and Beth Stephens have spent many years bringing to light in their live art, exhibitions, and films. In 2008, Sprinkle and Stephens married the Earth, which set them on the path to explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Ever since, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor.Assuming the Ecosexual Position tells of childhood moments that pointed to a future of ecosexuality-for Annie, in her family swimming pool in Los Angeles; for Beth, savoring forbidden tomatoes from the vine on her grandparents´ Appalachian farm. The book describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory, which involved influential performance artists Linda M. Montano, Guillermo Gómez-Peña, and feminist pornographer Madison Young. Stephens and Sprinkle share the process of making interactive performance art, including the Chemo Fashion Show, Cuddle, Sidewalk Sex Clinics, and Ecosex Walking Tours. Over the years, they celebrated many more weddings to various nature entities, from the Appalachian Mountains to the Adriatic Sea. To create these weddings, they collaborated with hundreds of people and invited thousands of guests as they vowed to love, honor, and cherish the many elements of the Earth.As entertaining as it is deeply serious, and arriving at a perilous time of sharp differences and constricting categories, the story of this artistic collaboration between Sprinkle, Stephens, their diverse communities, and the Earth opens gender and sexuality, art and environmentalism, to the infinite possibilities and promise of love.mehr

Produkt

KlappentextThe story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth  What´s sexy about saving the planet? Funny you should ask. Because that is precisely-or, perhaps, broadly-what Annie Sprinkle and Beth Stephens have spent many years bringing to light in their live art, exhibitions, and films. In 2008, Sprinkle and Stephens married the Earth, which set them on the path to explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Ever since, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor.Assuming the Ecosexual Position tells of childhood moments that pointed to a future of ecosexuality-for Annie, in her family swimming pool in Los Angeles; for Beth, savoring forbidden tomatoes from the vine on her grandparents´ Appalachian farm. The book describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory, which involved influential performance artists Linda M. Montano, Guillermo Gómez-Peña, and feminist pornographer Madison Young. Stephens and Sprinkle share the process of making interactive performance art, including the Chemo Fashion Show, Cuddle, Sidewalk Sex Clinics, and Ecosex Walking Tours. Over the years, they celebrated many more weddings to various nature entities, from the Appalachian Mountains to the Adriatic Sea. To create these weddings, they collaborated with hundreds of people and invited thousands of guests as they vowed to love, honor, and cherish the many elements of the Earth.As entertaining as it is deeply serious, and arriving at a perilous time of sharp differences and constricting categories, the story of this artistic collaboration between Sprinkle, Stephens, their diverse communities, and the Earth opens gender and sexuality, art and environmentalism, to the infinite possibilities and promise of love.
Details
ISBN/GTIN978-1-5179-0019-9
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2021
Erscheinungsdatum17.08.2021
Seiten256 Seiten
SpracheEnglisch
MasseBreite 180 mm, Höhe 228 mm, Dicke 22 mm
Gewicht580 g
Artikel-Nr.57795738

Inhalt/Kritik

Inhaltsverzeichnis
ContentsForeplayUna Chaudhuri Preface: Hello Earthlings! Welcome to Our Book Introduction: Rolling around on the Theoretical GroundEcosexual Glossary1. Our Ecosex Herstories2. First Comes Art, Then Comes Marriage3. The Miraculous Conception of Love Art Lab4. Nascent Ecosexuals: Hello, Green!5. Happy Trails and the Climax of Love Art Lab 6. Off the Beaten Path7. The E.A.R.T.H. Lab Experiments8. An Old Whore and a Hillbilly Make a Splash at documenta 149. Conclusion: Sincerely YoursAfterwordPaul B. PreciadoPostscriptLinda M. Montano Field Guides: Acknowledgments from Beth and AnnieNotesBetween the Covers: Related Books and MoviesIndexmehr

Autor

Annie Sprinkle and Beth Stephens have been life partners and 50/50 collaborators on multimedia projects since 2002. They are authors of the Ecosex Manifesto and producers of the award-winning film Goodbye Gauley Mountain and Water Makes Us Wet, a documentary feature that premiered at documenta 14 and screened at MoMA in New York. Sprinkle is a former sex worker with a PhD in human sexuality. Stephens holds a PhD in performance studies and is founding director of E.A.R.T.H. Lab at University of California at Santa Cruz. 

Jennie Klein is professor of art history at Ohio University. She is editor of Letters from Linda M. Montano and coeditor of Histories and Practices of Live Art and The M Word: Real Mothers in Contemporary Art. 

Una Chaudhuri is Collegiate Professor and professor of English, drama, and environmental studies at New York University. She is coeditor of Animal Acts: Performing Species Today and coauthor of Ecocide: Research Theatre and Climate Change.

Paul B. Preciado is a philosopher and curator. His books include Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era and Countersexual Manifesto.