Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

Performing European Memories

E-BookPDF1 - PDF WatermarkE-Book
334 Seiten
Englisch
Palgrave Macmillan UKerschienen am23.04.20132013
Asking whether a genuinely shared European memory is possible while addressing the dangers of a single, homogenized European memory, Gluhovic examines the contradictions, specificities, continuities and discontinuities in the European shared and unshared pasts as represented in the works of Pinter, Tadeusz Kantor, Heiner Müller and Artur Zmijewski.mehr
Verfügbare Formate
BuchGebunden
EUR111,50
BuchKartoniert, Paperback
EUR106,99
E-BookPDF1 - PDF WatermarkE-Book
EUR96,29

Produkt

KlappentextAsking whether a genuinely shared European memory is possible while addressing the dangers of a single, homogenized European memory, Gluhovic examines the contradictions, specificities, continuities and discontinuities in the European shared and unshared pasts as represented in the works of Pinter, Tadeusz Kantor, Heiner Müller and Artur Zmijewski.
Details
Weitere ISBN/GTIN9781137338525
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis1 - PDF Watermark
FormatE107
Erscheinungsjahr2013
Erscheinungsdatum23.04.2013
Auflage2013
ReiheStudies in International Performance
Seiten334 Seiten
SpracheEnglisch
IllustrationenXII, 334 p.
Artikel-Nr.1981249
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1. Introduction: Theorising Europe and Recollection 2. History, Memory, and Trauma in Heiner Muller's Theatre 3. Contested Pasts and the Ethics of Remembrance in Tadeusz Kantor's 'Theatre of Death' 4. Postmemory, Vulnerability, Affect 5. Conclusion: European Memories and the Margins of Europe: Sarajevo Theatre Tragedy and Three Prayers for One Wishmehr

Autor

Milija Gluhovic is Associate Professor of Theatre and Performance and Director of an Erasmus Mundus MA in International Performance Research at the University of Warwick, UK. His research interests include contemporary European theatre and performance, memory studies, and discourses of European identity, migrations and human rights. He is the co-editor (with Karen Fricker) of Performing the 'New' Europe: Identities, Feelings, and Politics in the Eurovision Song Contest (Palgrave Macmillan, 2013).