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Einband grossLa La Land
ISBN/GTIN

La La Land

E-BookPDFDRM AdobeE-Book
160 Seiten
Englisch
Oxford University Presserschienen am10.09.2024
This book offers a new look at the development, style, and reception of the 2016 film musical La La Land. Drawing on extensive personal interviews with the film's creators, it explores La La Land's aesthetic approach to the film musical genre, its simultaneous engagement with and subversion of the classic Hollywood musical's stylistic and narrative expectations, the film's depiction of jazz, and the reception of the film.mehr
Verfügbare Formate
BuchGebunden
EUR105,50
TaschenbuchKartoniert, Paperback
EUR21,50
E-BookEPUBDRM AdobeE-Book
EUR14,49
E-BookPDFDRM AdobeE-Book
EUR14,49

Produkt

KlappentextThis book offers a new look at the development, style, and reception of the 2016 film musical La La Land. Drawing on extensive personal interviews with the film's creators, it explores La La Land's aesthetic approach to the film musical genre, its simultaneous engagement with and subversion of the classic Hollywood musical's stylistic and narrative expectations, the film's depiction of jazz, and the reception of the film.
Details
Weitere ISBN/GTIN9780197682609
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format HinweisDRM Adobe
Erscheinungsjahr2024
Erscheinungsdatum10.09.2024
Seiten160 Seiten
SpracheEnglisch
Dateigrösse10663 Kbytes
Illustrationen29 b/w halftones
Artikel-Nr.17474679
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Introduction 1. The Development of a ?Realist Musical?: The Chazelle-Hurwitz Collaboration 2. Nostalgia, Homage, and Bittersweet Endings: La La Land and the Classic Film Musical 3. Modernizing a Classic Form: Realism and Virtuosic Performance 4. La La Land and Jazz 5. Reception Conclusion: La La Land's Legacy Bibliography indexmehr

Autor

Hannah Lewis is Associate Professor of Musicology at the University of Texas at Austin. She is a musicologist who specializes in music for film and visual media, American popular music traditions, musical theater, early twentieth-century French music, and American avant-garde and experimental music. She is the author of French Musical Culture and the Coming of Sound Cinema and co-editor (with Jim Buhler) of Voicing the Cinema: Film Music and the Integrated Soundtrack.