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Images of Power

Iconography, Culture and the State in Latin America
BuchGebunden
310 Seiten
Englisch
Berghahn Bookserschienen am01.12.2004
This volume addresses the political dimension of visual culture in Latin America, spanning various regions and historical stages. It analyses: the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as state icon.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR42,40
BuchGebunden
EUR154,50
E-BookPDFDRM AdobeE-Book
EUR35,99

Produkt

KlappentextThis volume addresses the political dimension of visual culture in Latin America, spanning various regions and historical stages. It analyses: the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as state icon.
Details
ISBN/GTIN978-1-57181-533-0
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2004
Erscheinungsdatum01.12.2004
Seiten310 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 21 mm
Gewicht604 g
Artikel-Nr.23333293
Rubriken
GenreGeschichte/Politik

Inhalt/Kritik

Inhaltsverzeichnis
List of IllustrationsIntroduction: The Power of ImagesJens Andermann and William RowePART I: MEMORY AND THE PUBLIC ARENAChapter 1. From Royal Subject to Citizen: the Territory of the Body in Eighteenth- and Nineteenth-Century Mexican Visual PracticesMagali M. CarreraChapter 2. The Mexican Codices and the Visual Language of RevolutionGordon BrotherstonChapter 3. Subversive Needlework: Gender, Class and History at Venezuela´s National Exhibition, 1883Beatriz González Stephan (transl. Heike Vogt)Chapter 4. Material Memories: Tradition and Amnesia in two Argentine MuseumsAlvaro Fernández BravoPART II: SELF AND OTHER IN THE AVANT-GARDEChapter 5. Exoticism, Alterity and the Ecuadorean Elite: The Work of Camilo EgasTrinidad Pérez (transl. Philip Derbyshire)Chapter 6. Primitivist Iconographies: Tango and Samba, Images of the NationFlorencia GarramuñoChapter 7. Argentina in the World´: Internationalist Nationalism in the Art of the 1960sAndrea Giunta (transl. Emma Thomas)PART III: MASSES AND MONUMENTALITYChapter 8. Cold as the Stone of which it Must be Made´: Caboclos, Monuments and the Memory of Independence in Bahia, Brazil, 1870-1900Hendrik KraayChapter 9. Photography, Memory, Disavowal: the Casasola ArchiveAndrea NobleChapter 10. Mass and Multitude: Bastardised Iconographies of the Modern OrderGraciela MontaldoPART IV: SPACES OF FLIGHT AND CAPTUREChapter 11. Marconi and other Artifices: Long-range Technology and the Conquest of the Desert Claudio Canaparo (transl. Peter Cooke)Chapter 12. Desert Dreams: Nomadic Tourists and Cultural DiscontentGabriela Nouzeilles (transl. Jens Andermann)Chapter 13. Why the Virgin of Zapopan went to Los Angeles: Reflections on Mobility and GlobalityMary Louise PrattNotes on ContributorsIndexmehr

Autor

William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book Memory and Modernity: Popular Culture in Latin America (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are Poets of Contemporary Latin America: History and the Inner Life (Oxford, 2000) and Ensayos vallejianos (Berkeley and Lima, 2006).