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Destination London

German-Speaking Emigrés and British Cinema, 1925-1950
BuchGebunden
282 Seiten
Englisch
Berghahn Bookserschienen am01.08.2008
The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance...mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR42,30
BuchGebunden
EUR154,10
E-BookEPUBDRM AdobeE-Book
EUR35,99

Produkt

KlappentextThe legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance...
Details
ISBN/GTIN978-1-84545-532-3
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2008
Erscheinungsdatum01.08.2008
ReiheFilm Europa
Reihen-Nr.6
Seiten282 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 20 mm
Gewicht565 g
Artikel-Nr.28147622
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
AcknowledgementsChapter 1. Introduction: German-speaking Emigrés and British Cinema, 1925-50: Cultural Exchange, Exile and the Boundaries of National CinemaTim BergfelderChapter 2. Life Is a Variety Theatre: E.A. Dupont´s Career in German and British CinemaTim BergfelderChapter 3. Geza von Bolvary, Arnold Ridley and Film Europe´Lawrence NapperChapter 4. Inside the Robots´ Castle: Ufa´s English-language Versions in the Early 1930sChris WahlChapter 5. Flamboyant Realism: Werner Brandes and British International Pictures in the Late 1920sKelly RobinsonChapter 6. Famously Unknown: Günther Krampf´s Work as Cinematographer in British FilmsMichael OmastaChapter 7. German, or still more horrible thought, Russian - at any rate, it is un-English!´ A Wide Shot of Exile, Emigré and Itinerant Activity in the British Film Industry in the 1930sAmy SargeantChapter 8. Extending Frames and Exploring Spaces: Alfred Junge, Set Design and Genre in British CinemaSarah StreetChapter 9. Lost in Siberia: Ernö Metzner in Britain LaurieN. EdeChapter 10. Be kvite kviet, everybody, please!´: Paul L. Stein and British CinemaChristian CargnelliChapter 11. Allegories of Displacement: Conrad Veidt´s British FilmsGerd GemündenChapter 12. Anton Walbrook: The Continental ConsortMichael WilliamsChapter 13. From Alien Person´ to Darling Lilli´: Lilli Palmer´s Roles in British CinemaBarbara ZiereisChapter 14. You call us Germans , you call us brothers - but we are not your brothers!´: British Anti-Nazi Films and German speaking EmigrésTobias HochscherfChapter 15. Carl Mayer: Years of Exile in LondonBrigitte MayrChapter 16. Music for the People: Escapism and Social Comment in the Work of Hans May and Ernst MeyerGeoff BrownChapter 17. I Know Where I´m Going! Hearing Germanic Music in the Scottish IslesK.J. DonnellyChapter 18. An Animated Quest for Freedom´: Mátyás Seiber´s Score for The Magic CanvasFlorian SchedingNotes on ContributorsBibliographyIndexmehr

Autor

Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europäiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005).