Produkt
Klappentext
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening up of new fields of knowledge and to the development of new cultural practices, but also to the delineation of particular genres, methods and disciplines.
Helmar Schramm ist Professor am Institut für Theaterwissenschaft der Freien Universität Berlin.
Ludger Schwarte und Jan Lazardzig sind Wissenschaftliche Mitarbeiter im interdisziplinären Berliner Sonderforschungsbereich Kulturen des Performativen an der Freien Universität Berlin.
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening up of new fields of knowledge and to the development of new cultural practices, but also to the delineation of particular genres, methods and disciplines.
Helmar Schramm ist Professor am Institut für Theaterwissenschaft der Freien Universität Berlin.
Ludger Schwarte und Jan Lazardzig sind Wissenschaftliche Mitarbeiter im interdisziplinären Berliner Sonderforschungsbereich Kulturen des Performativen an der Freien Universität Berlin.