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Einband grossIndustry and Intelligence
ISBN/GTIN

Industry and Intelligence

E-BookEPUBDRM AdobeE-Book
Englisch
Columbia University Presserschienen am15.03.2016
The history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art.

In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
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Produkt

KlappentextThe history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art.

In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
Details
Weitere ISBN/GTIN9780231540964
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format HinweisDRM Adobe
Erscheinungsjahr2016
Erscheinungsdatum15.03.2016
SpracheEnglisch
Dateigrösse27503 Kbytes
Illustrationen50 b&w illustrations
Artikel-Nr.2350976
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgments
Introduction: Creative Disruption in the Age of Soft Revolutions
1. Contemporary Art Does Not Account for That Which Is Taking Place
2. Projection and Parallelism
3. Art as a Pile: Split and Fragmented Simultaneously
4. 1820: Erasmus and Upheaval
5. ASAP Futures, Not Infinite Future
6. 1948: B. F. Skinner and Counter-Revolution
7. Abstract
8. 1963: Herman Kahn and Projection
9. The Complete Curator
10. Maybe It Would Be Better If We Worked in Groups of Three?
11. The Return of the Border
12. 1974: Volvo and the Mise-en-Scène
13. The Experimental Factory
14. Nostalgia for the Group
15. Why Work?
Notes
Index
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