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Einband grossMusical Listening in the Age of Technological Reproduction
ISBN/GTIN

Musical Listening in the Age of Technological Reproduction

E-BookPDFDRM AdobeE-Book
430 Seiten
Englisch
Taylor & Franciserschienen am29.04.2016
It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways. This volume offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.mehr
Verfügbare Formate
BuchGebunden
EUR207,50
TaschenbuchKartoniert, Paperback
EUR57,50
E-BookPDFDRM AdobeE-Book
EUR53,99
E-BookEPUBDRM AdobeE-Book
EUR53,99

Produkt

KlappentextIt is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways. This volume offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
Details
Weitere ISBN/GTIN9781317091455
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format HinweisDRM Adobe
Erscheinungsjahr2016
Erscheinungsdatum29.04.2016
Seiten430 Seiten
SpracheEnglisch
Dateigrösse7171 Kbytes
Artikel-Nr.4587584
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Part 1 Facets of a Theoretical Question 1.Aesthetic Experience Under the Aegis of Technology. 2. Ideological, Social and Perceptual Factors in Live and Recorded Music. 3. On the Evolution of Private Record Collections: A Short Story. 4. Music and Technical Reproducibility: A Paradigm Shift. 5. Algorithmic and Nostalgic Listening: Post-subjective Implications of Computational and Empirical Research. 6. Listening to Histories of Listening: Collaborative Experiments in Acoustemology with Nii Otoo Annan. Part 2 Remediations 7. Remediation or Opera on Screen? Some Misunderstandings Regarding Recent Research. 8. Between Mediatization and Live Performance: The Music for Giorgio Strehler's The Tempest (1978). 9. The 'Remediated' Rite of Spring. Part 3 Listening with Images 10. Listening to Images: A Historical Overview of Theoretical Reflection. 11. Seeing Sounds, Hearing Images: Listening Outside the Modernist Box. 12. The Transformation of Musical Listening: The Case of Electroacoustic Music. Part 4 Recordings and the New Aura 13. Neo-auratic Encoding: Phenomenological Framework and Operational Patterns. 14. 'If a Song Could Get Me You': Analysis and the (Pop) Listener's Perspective. 15. The Persistence of Analogue. Part 5 Composing and Performing with Electronic Means 16. Semiconducting: Making Music after the Transistor. 17. 'Live is Dead?': Some Remarks about Live Electronics Practice and Listening. 18. Sonic Imprints: Instrumental Resynthesis in Contemporary Composition. Part 6 Audiovisual Documentation in Ethnomusicological Research 19. New Trends in the Use of Audiovisual (and Audio) Technology in Contemporary Ethnomusicology. 20. Recording Out-takes: What can be Discovered in the 'Historical' Recordings of Traditional Music. 21. Audiovisual Ethnography: New Paths for Research and Representation in Ethnomusicology.mehr