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Einband grossThe Mediations of Music
ISBN/GTIN

The Mediations of Music

E-BookPDF0 - No protectionE-Book
220 Seiten
Englisch
Taylor & Franciserschienen am17.08.20221. Auflage
Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication.mehr
Verfügbare Formate
BuchGebunden
EUR182,50
TaschenbuchKartoniert, Paperback
EUR56,00
E-BookPDF0 - No protectionE-Book
EUR53,99
E-BookEPUB0 - No protectionE-Book
EUR53,99

Produkt

KlappentextShould we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication.
Details
Weitere ISBN/GTIN9781000619041
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis0 - No protection
Erscheinungsjahr2022
Erscheinungsdatum17.08.2022
Auflage1. Auflage
Seiten220 Seiten
SpracheEnglisch
Dateigrösse5030 Kbytes
Illustrationen7 schwarz-weiße Abbildungen, 7 schwarz-weiße Fotos
Artikel-Nr.8881819
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1 Popular Culture and Post-Traditional Arts: Debates and Controversies During Adorno's Exile in the USA

GIANMARIO BORIO

PART I: The Dynamics of Musical Mediation

2 The Logic of Judgement-less Synthesis: Theodor W. Adorno on Vermittlung and the Language of Music

DIETER MERSCH

3 Beyond Mediation

ESTEBAN BUCH

4 Media, Mediation and 'Bildung' in Adorno's Current of Music

MICHELA GARDA

PART II: Notation and Performance

5 'Every written note is the image of a beat': Rethinking Adorno's Critique of Notation

ANDREAS MEYER

6 Towards a Practice of Musical Performance Creativity

DANIEL LEECH-WILKINSON

7 Exploring the Text-Performance Continuum in Music: Reflections on Immediate Mediation

ALESSANDRO CECCHI

PART III: Music on Screen

8 Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique

LYDIA GOEHR

9 Composing for the Films in the Age of Digital Media

JAMES BUHLER

PART IV: Recorded Sound in Changing Environments

10 Adorno and Jazz: A Dialogue with the Philosopher from an Audiotactile Perspective

VINCENZO CAPORALETTI

11 Adorno, the Jitterbug and the Becoming Insect of Music

MAKIS SOLOMOSmehr

Autor

Gianmario Borio is professor of Musicology at the University of Pavia and director of the Institute of Music at the Fondazione Giorgio Cini, Venice. In 1999 he was awarded the Dent Medal by the Royal Musical Association. In 2013 he was Distinguished Visiting Professor at The Italian Academy for Advanced Studies in America. Since 2013 he has been member of the Academia Europaea, since 2016 corresponding member of the American Musicological Society, and since 2019 corresponding fellow of the British Academy. He is the director of the book series Musical Cultures of the Twentieth Century (Routledge) and the online-journal Archival Notes. His publications deal with several aspects of the music of the 20th century (theory and aesthetics, political background, the audiovisual experience), with the history of musical concepts and the theory of musical form.