Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Einband grossContemporary Lusophone African Film
ISBN/GTIN

Contemporary Lusophone African Film

E-BookEPUB0 - No protectionE-Book
224 Seiten
Englisch
Taylor & Franciserschienen am13.12.20201. Auflage
Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema.mehr
Verfügbare Formate
BuchGebunden
EUR182,50
TaschenbuchKartoniert, Paperback
EUR56,00
E-BookEPUB0 - No protectionE-Book
EUR53,99
E-BookPDF0 - No protectionE-Book
EUR53,99

Produkt

KlappentextOffering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema.
Details
Weitere ISBN/GTIN9780429648915
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format Hinweis0 - No protection
FormatE101
Erscheinungsjahr2020
Erscheinungsdatum13.12.2020
Auflage1. Auflage
Seiten224 Seiten
SpracheEnglisch
Dateigrösse4201 Kbytes
Illustrationen34 schwarz-weiße Abbildungen, 34 schwarz-weiße Fotos
Artikel-Nr.5439126
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Situating Lusophone African Cinema ; 1. Lusophone African Cinema as World-Cinema ; 2. Lusophone Filmmaking in the realm of transnational African cinemas: from 'global ethnic' to 'global aesthetic' ; 3. Sounds of Liberation: Sarah Maldoror's Sambizanga (1972) and Miguel Gomes' Tabu (2012) ; 4. Resistance and Political Awareness Through the Eye-Camera of Sarah Maldoror ; 5. The eleventh island: Cape Verde, the moving images and its diaspora ; 6. Postcolonial Testimony and the ruins of empire ; 7. In the Name of the Rosa: The Ethnographic Reflex in the Cinema of Licínio Azevedo ; 8. From the tabanca to Bissau, from Bissau to the Diaspora: Social Narratives in the Bissau-Guinean Popular Cinema ; 9. The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra's 'Mueda, Memória e Massacre' ; 10. A melancholic outlook on 40 years of lusophone audio-visual production and Guinea, the two faces of the war as case study ; 11. 'We need to dress ourselves in the black light': an authorial analysis of Lusophone African cinema - Flora Gomes's case ; 12. Pedro Pimenta, in Interview with Livia Apamehr

Autor

Paulo de Medeiros is Professor of English and Comparative Literary Studies, with a focus on Modern and Contemporary World Literatures, at the University of Warwick. As member of the Warwick Research Collective, one of his current projects is a study of Postimperial Europe.

Livia Apa is a member of the Center for Studies on Contemporary Africa (CESAc) at the University of Naples 'L'Orientale'. She works on literary and cultural studies in Portuguese-speaking countries, focused on African cinema, migrations, and cultures of the diaspora, linguistic rights, and contemporary African thought.
Weitere Artikel von
Apa, Livia
Hrsg.