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Einband grossFrantic Assembly
ISBN/GTIN

Frantic Assembly

E-BookPDF0 - No protectionE-Book
196 Seiten
Englisch
Taylor & Franciserschienen am30.05.20211. Auflage
Frantic Assembly have had a powerful and continuing influence on the popularisation of devising practices in contemporary theatre-making. Their work blends brave and bold physical theatre with exciting new writing, and they have collaborated with some of the leading theatre-makers in the country.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR46,00
E-BookPDF0 - No protectionE-Book
EUR48,49
E-BookEPUB0 - No protectionE-Book
EUR48,49

Produkt

KlappentextFrantic Assembly have had a powerful and continuing influence on the popularisation of devising practices in contemporary theatre-making. Their work blends brave and bold physical theatre with exciting new writing, and they have collaborated with some of the leading theatre-makers in the country.
Details
Weitere ISBN/GTIN9780429672019
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis0 - No protection
Erscheinungsjahr2021
Erscheinungsdatum30.05.2021
Auflage1. Auflage
Seiten196 Seiten
SpracheEnglisch
Dateigrösse1929 Kbytes
Illustrationen15 schwarz-weiße Abbildungen, 15 schwarz-weiße Fotos
Artikel-Nr.5701479
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1. Biographical and Artistic Content: A 'Frantic Method'?; 2. Key Writings, Principles, and Ideas: 'Always Forward, Never Back'; 3. Ideas in Production: Hymns and Stockholm; 4. Practical Work: A Frantic Assembly Workshop; Conclusionmehr

Autor

Mark Evans is Professor of Theatre Training and Education at Coventry University. He trained with Jacques Lecoq and Philippe Gaulier in Paris and has published widely on performer training and physical theatre, including: Movement Training for the Modern Actor (2009), The Routledge Companion to Jacques Lecoq (2016) and Performance Movement and the Body (2019).

Mark Smith is a Lecturer in Theatre at the University of York. His research examines the interplay between processes of devising, writing and physicality in contemporary UK theatre. He has worked as a theatre director and dramaturg, and he writes regularly for the British Theatre Guide.