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Einband grossMusic by Numbers
ISBN/GTIN

Music by Numbers

E-BookEPUBDRM AdobeE-Book
256 Seiten
Englisch
Intellect Bookserschienen am02.12.2020
The music industries are fuelled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain.

The contributors are noted music business scholars and practitioners in the field. The book addresses five key areas in which numbers are employed: sales and awards; royalties and distribution; music piracy; music policy; and audiences and their uses of music, and addresses these subjects from a range of perspectives.

This is the first in-depth examination of the use and abuse of statistics in the music industries and aims to expose the culture and politics of data.
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Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR32,00
E-BookEPUBDRM AdobeE-Book
EUR26,49

Produkt

KlappentextThe music industries are fuelled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain.

The contributors are noted music business scholars and practitioners in the field. The book addresses five key areas in which numbers are employed: sales and awards; royalties and distribution; music piracy; music policy; and audiences and their uses of music, and addresses these subjects from a range of perspectives.

This is the first in-depth examination of the use and abuse of statistics in the music industries and aims to expose the culture and politics of data.
Details
Weitere ISBN/GTIN9781789382556
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format HinweisDRM Adobe
FormatE101
Erscheinungsjahr2020
Erscheinungsdatum02.12.2020
Seiten256 Seiten
SpracheEnglisch
Dateigrösse1455 Kbytes
Artikel-Nr.11128800
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Richard Osborne, 'Introduction'

 

PART ONE: Winners and Losers
Richard Osborne, 'At the Sign of the Swingin' Symbol: The Manipulation of the UK Singles Chart'
Richard Osborne, 'The Gold Disc: One Million Pop Fans Can't Be Wrong'
Richard Osborne, '"I Am a One in Ten": Success Ratios in the Recording Industry'

 

PART TWO: Policy
David Arditi, 'The Global Music Report: Selling a Narrative of Decline'
Shain Shapiro, 'Popular Music Funding in Canada'

 

PART THREE: Live Music
Adam Behr, Matt Brennan, Martin Cloonan and Emma Webster, 'Stop Making Census! Some Experiential Reflections on Conducting a Live Music Census'
Dave Laing, 'What's It Worth? Calculating the Economic Value of Live Music'
Richard Osborne, 'Live Music vs. Recorded Music'

 

PART FOUR: Piracy
Lucas Logan, 'Selling the Numbers on Music Piracy to Burn Down the Digital Library'
Lola Costa Galvez, 'Educar para crear: The Use of Statistics and Surveys in Spanish Music Anti-piracy Policies'
Vanessa Bastian and Dennis Collopy, 'Measuring the Unmeasurable'

 

PART FIVE: Digital Solutions
Mike Jones, 'One Penny from Brazil: Music Publishing Revived but Untransformed'
Marcus O'Dair (Middlesex University), 'Tokens and Techno-Economic Paradigms: On the Value of Blockchain Technology to the Music Industries'
Craig Hamilton, 'The Harkive Project: Computational Analysis and Popular Music Reception'
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Autor



Richard Osborne is Senior Lecturer in Popular Music at Middlesex University. He is the author of Vinyl: A History of the Analogue Record (Ashgate, 2012) and co-editor with and Zuleika Beaven and Marcus O'Dair of Mute Records: Artists, Business, History (Bloomsbury, 2018). Outside of academia, he has worked in record shops, held various posts at PRS for Music and co-managed a pub.

He publishes widely in the field of popular music studies, including the blog 'Pop Bothering Me' (http://richardosbornevinyl.blogspot.co.uk/).

 

Dave Laing's books include The Sound of Our Time (Sheed and Ward, 1969); Buddy Holly (MacMillan, 1971); The Electric Muse: The Story of Folk into Rock, co-authored with Karl Dallas, Robin Denselow and Robert Shelton (Eyre Methuen, 1975); Encylopedia of Rock, co-edited with Phil Hardy (HarperCollins, 1976); The Marxist Theory of Art (Prometheus, 1979); One Chord Wonders (Open University Press, 1985); The Faber Companion to 20th Century Popular Music, co-authored with Phil Hardy (Faber & Faber, 1990); The Guerilla Guide to the Music Business, co-authored with Sarah Davies (Continuum, 2006); and Popular Music Matters: Essays in Honour of Simon Frith, co-edited with Lee Marshall (Ashgate, 2014). One of the founding figures of popular music studies, Dave sadly passed away in 2019 when Music by Numbers was in production.