Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Einband grossThe Ethnographic Optic
ISBN/GTIN

The Ethnographic Optic

E-BookEPUB0 - No protectionE-Book
264 Seiten
Englisch
Indiana University Presserschienen am04.06.2024
The Ethnographic Optic traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire.

Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze.

Featuring some of the most canonical and best-loved films of the French tradition, such as Moi, un Noir, La jetée, and Muriel, this is an essential book for readers interested in national identity and cinema.
mehr
Verfügbare Formate
BuchGebunden
EUR78,00
TaschenbuchKartoniert, Paperback
EUR37,50
E-BookEPUB0 - No protectionE-Book
EUR38,99

Produkt

KlappentextThe Ethnographic Optic traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire.

Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze.

Featuring some of the most canonical and best-loved films of the French tradition, such as Moi, un Noir, La jetée, and Muriel, this is an essential book for readers interested in national identity and cinema.
Details
Weitere ISBN/GTIN9780253069610
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format Hinweis0 - No protection
FormatE101
Erscheinungsjahr2024
Erscheinungsdatum04.06.2024
Seiten264 Seiten
SpracheEnglisch
Illustrationen87 color illus., 50 b&w illus.
Artikel-Nr.11719835
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgments
Note on Translations
Introduction
1. The Ethnographer's Alibi: The Limits of Shared Narration in Jean Rouch's Moi, un Noir
2. "Moi, un Blanc": Jean Rouch's "Parisian Period," from La pyramide humaine to Petit à Petit
3. Missed Connection: Paris in Chris Marker's Le joli mai and La jetée
4. Seeing Double: Algeria and France in Alain Resnais's Muriel
Conclusion
Glossary
Bibliography
Index
mehr