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Irish Women Playwrights 1900-1939

Gender and Violence on Stage
BuchGebunden
265 Seiten
Englisch
Peter Langerschienen am30.10.2010
Suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century, this book examines the plays of five women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day.mehr
Verfügbare Formate
BuchGebunden
EUR104,20
E-BookPDFDRM AdobeE-Book
EUR86,49

Produkt

KlappentextSuitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century, this book examines the plays of five women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day.
Details
ISBN/GTIN978-1-4331-0332-2
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2010
Erscheinungsdatum30.10.2010
ReiheIrish Studies
Reihen-Nr.9
Seiten265 Seiten
SpracheEnglisch
Gewicht500 g
Artikel-Nr.16465547

Inhalt/Kritik

Inhaltsverzeichnis
Contents: Augusta Gregory: Shaping the Image and the Breaking of Love - Eva Gore-Booth: Staging the Dream - Dorothy Macardle: Revolution and Consolidation: Betwixt and Between - Mary Manning: Unseasonal Youth - Teresa Deevy: Exile and Silence.mehr
Kritik
«[...] Cathy Leeney's Irish Women Playwrights is a very important intervention into the field of Irish theatre studies - one that should be widely read, debated, and emulated.»
(Patrick Lonergan, GRAAT 2014)mehr

Schlagworte

Autor

Cathy Leeney lectures in drama studies at University College Dublin. She initiated the first Masters in Directing for Theatre in Ireland in 2005 and is a founding member of the Executive of the Irish Society for Theatre Research. She trained as a director with the British Theatre Association in London. Her publications include Seen and Heard: Six New Plays by Irish Women (2001), The Theatre of Marina Carr: «before rules was made» (edited with Anna McMullan, 2003), and essays and articles on twentieth century and contemporary Irish theatre, playwriting, and directing.