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Re-Entering the Dollhouse

Essays on the Joss Whedon Series
BuchKartoniert, Paperback
304 Seiten
Englisch
McFarlanderschienen am24.05.2022
Premiering on Fox in 2009, Joss Whedon´s Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. This collection of essays examines the series´ relevance in the context of today´s social and political issues and media landscape.mehr

Produkt

KlappentextPremiering on Fox in 2009, Joss Whedon´s Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. This collection of essays examines the series´ relevance in the context of today´s social and political issues and media landscape.
Details
ISBN/GTIN978-1-4766-7990-7
ProduktartBuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2022
Erscheinungsdatum24.05.2022
ReiheWorlds of Whedon
Seiten304 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 16 mm
Gewicht443 g
Artikel-Nr.8133345
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Table of ContentsAcknowledgmentsIntroduction: Welcome to the FutureMichael Starr and Heather M. PorterPart I: Society and Self Now that we have a black president : White Feminism, ­Post-Raciality, and the Curious Case of Boyd LangtonMary Ellen Iatropoulos The body doesn´t matter, it´s the mind that we want : Examining and Critiquing Contemporary Socioeconomic and -political Structures Through Rossum and the FrameworkErin M. GianniniRipley, Alice, and Echo: Corporate Malfeasance and the Female BodySherry Ginn We´re also misunderstood, which great humanitarians often are : Examining the Intelligence and Wisdom of the Mad Scientist Topher BrinkHeather M. PorterPart II: Philosophy and TechnologyEarning a Place on the Ark: Evolution, Ethics, and EpitaphsMadeline MuntersbjornFrom Androids to Actives: Death of Identity and the Legacy of TechnicismThomas D. Parham IIIAgencied Objects: Locations of the Technodomestic ­Object-I in the WhedonversesJuliette C. Kitchens How does it feel to end the world? : The Dark Ecology of the DollhouseMichael StarrPart III: Form and FunctionWhat You Don´t Know Won´t Hurt You? Constructive Omissions in the Title MusicJanet K. HalfyardFriday Night Rites: The Posthuman Hero´s Tale in the Television NarrativeDevon E. Anderson You cannot possibly stop them alone : The Formula Conspiracy Story, the Monomyth, and Whedon´s Complicated HeroicsStephen G. Melvin Tell me about the Dollhouse : The Impact of Promotional Paratexts on Audience ReceptionTanya R. CochranPart IV: Influences and Allusions I´m awake now : Female Cyborgs, ­Self-Awareness, and (Qualified?) Rebellion in Dollhouse and WestworldEve Bennett To grow, we all need to suffer : Memory and Trauma as the Path to PersonhoodJeana Jorgensen and Keegan L. MillsLost, Not Gone: The Haunted (Doll)HouseCatherine PughPod People, Zombies, Dolls: Fear and Anxiety in I Am Legend, Invasion of the Body Snatchers, and DollhouseCharmaine TantiAppendix 1: Dollhouse Episode ListAppendix 2: Westworld Episode List, Cited in TextAppendix 3: Whedon Television Episode List, Cited in TextAppendix 4: Whedon Filmography, Cited in TextAbout the ContributorsIndexmehr

Autor

Heather M. Porter is a Los Angeles based television producer and independent scholar. Michael Starr is an associate professor in film and screen studies at the University of Northampton, United Kingdom.
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