The Arts of Cinema

von

Seel, MartinWalker, Kizer SÜbersetzung

TaschenbuchKartoniert, Paperback

180 Seiten

Englisch

Cornell University Presserschienen am15.07.2018

In The Arts of Cinema, Martin Seel explores film´s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema´s singular aesthetic potential and uses specific examples from a diverse range of films-from Antonioni and Hitchcock to The Searchers and The...mehr

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KlappentextIn The Arts of Cinema, Martin Seel explores film´s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema´s singular aesthetic potential and uses specific examples from a diverse range of films-from Antonioni and Hitchcock to The Searchers and The...

Details

ISBN/GTIN978-1-5017-2617-0

ProduktartTaschenbuch

EinbandartKartoniert, Paperback

FormatTrade Paperback (USA)

Verlag

Cornell University Press

Erscheinungsjahr2018

Erscheinungsdatum15.07.2018

Seiten180 Seiten

SpracheEnglisch

MasseBreite 152 mm, Höhe 229 mm, Dicke 10 mm

Gewicht272 g

Artikel-Nr.45202107

Rubriken

GenreTV/Film/Musik/Theater

Inhalt/Kritik

Inhaltsverzeichnis

Opening Credits: Affairs-The Site of the Cinema-"Film"-The Course of Things-The Film Program1. Film as Architecture: A Beginning-Division of Space-Ambient Sound-Some Opening Credits-Landscapes-Two Extremes-An Ending-Spatial Imagination-More Opening Credits2. Film as Music: A Prelude-Time Connections-Action (1)-Double Motion-Action (2)-Spaces of Time-Higher Rhythm-Explosion3. Film as Image: People Waiting-Pictorial Appearing-Image and Movement-Photography and Film-Another Trip- The Promise of Photography-Image Analysis-The Promise of Film-Another Ending4. Film as Spectacle: Anarchy-Division of Space, Again-Virtuality-Sculpturality- Actors-Voices-Theatricality-Attractionism-Ecstasy5. Film as Narrative: Three Films-Abstinence-Narrative Disposition-Telling Stories-Perspectivity-Filmic Storytelling-Cinema's Temporal Form-The Present Past6. Film as Exploration: In Baghdad-Urban Landscapes-Realities-Processes of Documentation-A Double Promise-Techniques of Fiction- Questions of Style-Loss of Control-References to the World-The End7. Film as Imagination: At Bakersfield-An Illusionistic Interpretation-The Figure of the Illusionist-Illusion and Immersion-Imagination Not Illusion-Photography and Film, Again-Twofold Attention-Illusion as a Technique-Caché8. Film as Emotion: The End, Yet Again-The Illusionist's Final Appearance- Motion and Emotion-Corporeality-Sensate Understanding- Expressivity-Engagement-Twofold Attention, Again-Mixed Emotions-Godard9. Film as Philosophy: Flashbacks-Another Affair-Three Dimensions-Cine- anthropology-Active Passivity-An Encore-Landscapes, Once AgainClosing Credits: Notice-Thanksmehr