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Against Repression

Surrealism, Sublimation and the Recuperation of Desire
BuchKartoniert, Paperback
300 Seiten
Englisch
Peter Langerschienen am05.12.2018
Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond.

The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society.
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Produkt

KlappentextSurrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond.

The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society.
ZusammenfassungThis book reveals how a transgressive strand of Surrealist art and thought emerged in France in the late 1930s, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works with this subversive aspect are presented as actively countering the repressive effects of a socially conservative France.
Details
ISBN/GTIN978-1-78707-769-0
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2018
Erscheinungsdatum05.12.2018
Reihen-Nr.3
Seiten300 Seiten
SpracheEnglisch
Gewicht444 g
Illustrationen30 Abb.
Artikel-Nr.46104880

Inhalt/Kritik

Inhaltsverzeichnis
CONTENTS: Introduction: Sublimation/Desublimation: A Question of Definition - Tel Quel Critiques of Surrealism: Idealist, Sublimatory and Repressive - The Breton-Bataille Polemic Revisited - Breton's Non-Repressive View of Sublimation and Art - Surrealism's Inner Alchemy: Perturbing the Senses, Awakening the Spirit - The Surrealist Cult of Love: Extolling the Forbidden Fruit.mehr

Autor

Klem James is Lecturer in French at the University of Wollongong, Australia. He holds a doctorate in French from the University of Manchester (UK) and was previously Lecturer and then Convenor of French at the University of New England (Australia). His research focuses on Surrealism, concentrating specifically on the intersections of psychoanalysis and Surrealism and the use of scientific (and pseudo-scientific) notions within the movement.
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James, Klem