Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

The Future of Indigenous Museums

Perspectives from the Southwest Pacific
BuchGebunden
280 Seiten
Englisch
Berghahn Bookserschienen am01.06.2007
Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. This book examines how museums have evolved particularly in the non-western world to incorporate the present and the future in the display of culture.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR41,30
BuchGebunden
EUR153,60
E-BookEPUBDRM AdobeE-Book
EUR35,99

Produkt

KlappentextIndigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. This book examines how museums have evolved particularly in the non-western world to incorporate the present and the future in the display of culture.
Details
ISBN/GTIN978-1-84545-188-2
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2007
Erscheinungsdatum01.06.2007
ReiheMuseums and Collections
Reihen-Nr.1
Seiten280 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 20 mm
Gewicht562 g
Artikel-Nr.28147561

Inhalt/Kritik

Inhaltsverzeichnis
List of FiguresEditorial Prefaceby Hirini MeadIntroduction: Indigeneity and Museum Practice in the Southwest PacificNick StanleyPART I: ISLAND MELANESIAChapter 1. Resourcing Change: Fieldworkers, the Women´s Culture Project and the Vanuatu Cultural CentreLissant BoltonChapter 2. The Future of Indigenous Museums: The Solomon Islands CaseLawrence Foana otaChapter 3. Dangerous Heritage: Southern New Ireland, the Museum and the Display of the PastSean KingstonChapter 4. Memory, Violence and Representation in the Tjibaou Cultural Centre, New CaledoniaDiane LoscheChapter 5. Tourism and Indigenous Curation of Culture in Lifou, New CaledoniaTate LeFevrePART II: NORTHERN AUSTRALIAChapter 6. The Journey of the Stars: Gab Titui, a Cultural Centre for the Torres StraitAnita Herle, Jude Philp and Leilani Bin JudaChapter 7. Quite Another World of Aboriginal Life´: Indigenous People in an Evolving MuseumscapeEric VenbruxPART III: NEW GUINEAChapter 8. The Papua New Guinea National Museum and Art Gallery as a Modern Haus TumbunaSebastian HarahaChapter 9. Moving the Centre: Christianity, the Longhouse and the Gogodala Cultural CentreAlison DundonChapter 10. Indigenous Responses to Political and Economic Challenges: the Babek Bema Yoma at Teptep, Papua New GuineaChristin Kocher SchmidChapter 11. Can Museums become Indigenous? The Asmat Museum of Culture and Progress and Contemporary Papua Nick StanleyPART IV: REFLECTIONS ON THE FUTURE OF INDIGENOUS MUSEUMSChapter 12. The Transformation of Cultural Centres in Papua New GuineaRobert L. WelschChapter 13. The Theoretical Future of Indigenous Museums: Concept and PracticeChristina KrepsNotes on ContributorsBibliographyIndexmehr

Autor

Nick Stanley is Director of Research and Chair of Postgraduate Studies at Birmingham Institute of Art and Design, University of Central England. He has worked on collections and display within museums of Oceanic materials both in Melanesia as well as Europe and North America. His current work is on the artistic production of the Asmat people in West Papua.